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- From Nonsense to the Surreal: Edward Lear to Angela CarterCourse start date: Wed 25 Sep 2024
Location on this date: Keeley Street
Tutors: Laurie SmithSurrealism is one of the great developments of 20th century literature. It’s different from the fantasies of previous centuries (fairy and folk tales, imaginative stories set in remote parts of the world, satires, science fiction) because it expresses complex bizarre experiences that many people recognise as possibly part of themselves. It may reflect desires which are difficult to admit but are sometimes expressed with wit and humour. We explore how surrealism developed from the apparent nonsense of three 19th century English writers.Full fee £249.00 Senior fee £199.00 Concession £162.00 - America in the 20s: culture and societyCourse start date: Tue 1 Oct 2024
Location on this date: Online
Tutors: Pauline Greene, Mark Malcomson, Dale Mineshima-Lowe, Paul Sutton, Patricia Sweeney, Ian TucknottFrom the Jazz Age and the Harlem Renaissance, to Prohibiton and the Depression, this online intertextual course explores the political, social and cultural context of 1920s America through a study of literature, history, music, film and art of the period. With different tutors for each specialism, the course provides a 'taster' in each subject as a gateway to further study in understanding this fascinating period in American culture and society.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £119.00 Senior fee £119.00 Concession £77.00 - Fifties MusicalsCourse start date: Wed 16 Oct 2024
Location on this date: Keeley Street
Tutors: John Wischmeyer“The more beautiful everything is, the more it will hurt without you”—Gene Kelly as An American in Paris (1951) singing to Leslie Caron. Happy endings are hard won in fifties’ musicals and The End is where they were heading. MGM was the studio of musicals in the 1950s. During this decade other studios presented only occasional musicals. The musical was big business for Hollywood in the 1950s and so was the western, so bringing them together made sense. Annie Get Your Gun had been a big success for MGM so Warner Bros. decided to get a piece of the action with Calamity Jane (1953 David Butler with Doris Day). Judy Garland was sacked by MGM in 1951, then followed Joan Crawford to Warner Brothers where she staged a big comeback in, fittingly, A Star is Born (1954 George Cukor). Oklahoma (1955 Fred Zinnemann) and Carousel (1956 Henry King) from 20th Century Fox introduced Shirley Jones. And don’t forget Leonard Bernstein’s score for On the Waterfront (1954) that anticipated West Side Story (1961). (See related courses on Fifties Melodrama and Film Noir and 50 Films From the ‘50s: Hollywood’s Last Stand).Full fee £169.00 Senior fee £135.00 Concession £110.00