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A history of art in 100 objects

93% of 100
What is art history? How can better a better understanding of the subject help us to better connect with art made by fellow humans? Explore these big questions of historical significance, socio-cultural impact and artistic process by studying a history of art in some of London’s greatest museums.
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Learning modes and locations may be different depending on the course start date. Please check the location of your chosen course and read our guide to learning modes and locations to help you choose the right course for you.

  • Start Date: 07 Oct 2025
    End Date: 31 Mar 2026
    Tue (Daytime): 13:30 - 16:30
    In Person
    Location: Off Site
    Duration: 20 sessions (over -26 weeks)
    Course Code: VB912
    Tutors:  Sarah Jaffray
    Full fee £679.00 Senior fee £543.00 Concession £441.00
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In stock
SKU
236243
Full fee £679.00 Senior fee £543.00 Concession £441.00

What is the course about?

This course is an introductory art history course that focuses on the methods art historians use to develop an understanding of a work of art. It will work globally and chronologically to examine themes that arise throughout the history of art. Each week we will look at a variety of cultures to explore similarities and differences across art objects and the ways in which art historians have discussed them.

We look at broad themes across the history of art including, but not limited to: art making processes, materiality (how an artwork was used), political propaganda, the impacts of museum display and colonialism, historiography (or the history of interpretation), spirituality and the possible intentions behind human creation.

This course is designed to introduce students to a variety of different ways that art historians look at art. Its broad remit is meant to empower students to be more critical viewers of art and its histories. This is by no means ‘the’ history of art. It is ‘a’ history of art that can help to lay the foundation for future exploration.

The course will take place at various museums including the British Museum, the V&A and National Gallery. The first session will take place at City Lit. You will be sent Term 1 meeting points within a week of the course start date.

This course takes place over 2 terms. It does not meet on the following dates: 28/10; 16/12; 23/12; 30/12; 6/01; 17/02.

What will we cover?

• The interpretation of art by art historians and museums and how this impacts our perception of art works
• A chronological (timeline) of art from roughly 3,000 BCE to 1900 CE
• Different methods used by art historians
• A critique of museum display and collecting practices
• Painting, sculpture, decorative arts, works on paper and textiles.

What will I achieve?
By the end of this course you should be able to...

• Confidently look at art and begin to explore it meaning
• Describe/explain the impact of museum display on our relationship to art
• Identify key visual elements associated with some of the time periods/art materials covered in this course.

What level is the course and do I need any particular skills?

This course is suitable for all levels. However, please note that the course will contain contemporary art historical content related to decolonisation of museum collections and ownership of historic artefacts. It will engage with critical concepts including, but not limited to, colonisation, European representation of non-European/ancient peoples, their art and cultures.

You should be able to follow simple written and verbal instructions, demonstrations, hand-outs and health and safety information, and will be invited to take part in group discussion.

How will I be taught, and will there be any work outside the class?

The course will be taught with a mixture of gallery-based lecture, group discussion and interactive group activities. Handouts will be provided by your tutor, made available digitally on Google Classroom to support your learning on the course. You will be emailed an invitation to the Google Classroom within one week of the course start date. There will be a 20-30 minute break during the class session.

This course has homework in the form of short readings, watching video clips and reflecting in your own words. You are not assessed on these elements; they are part of the scope of the course meant to help you consolidate the materials and will be the basis of many of our discussions.

This course takes place offsite in galleries around London. Offsite courses take place during public access hours. Tutors are not able to control sound levels or behaviours of visitors outside of the course group, gallery closures or fire alarms. Unless you are a wheelchair user, and have confirmed access details with us (as levels of access can vary between buildings), you will need to be able to walk between sites and stand for some time while looking at them (you may bring your own portable stool if you have one, but we cannot guarantee access to seating offsite.) If you feel you may be impacted by these environmental variations, please inform the department on humanities@citylit.ac.uk before the course begins, to discuss reasonable accommodations we can make to assist your learning in offsite.

Are there any other costs? Is there anything I need to bring?

You might wish to bring a notebook. You might wish to buy some of the books on any reading list given out in class. You might want to invest in a portable gallery stool.

In each session we take a 20-30 minute tea/coffee break in the gallery coffee shop to rest our legs and discuss what we have seen. You may wish to bring some money for this break, or your own snack/drink for this rest break.

Gallery/Museum entry is free.

When I've finished, what course can I do next?

A history of modern art in 50 objects
Introduction to contemporary art: ideas and origins.

Sarah Jaffray Tutor Website

Sarah Jaffray holds a BA and MA in Art History with an emphasis in 19th/20th century France and a minor in the Italian Renaissance. She holds a second MA in Cultural Theory from Goldsmiths, University of London. Sarah was a lecturer for several colleges and universities in the Los Angeles area before relocating to London in 2012. She has worked in curatorial roles at the British Museum and Wellcome Collection. In addition to her current teaching at City Lit, Sarah is a lecturer at the University of Arts London and the Tutor Coordinator for City Lit's Art History programme. Her art historical practice focuses on experimental narratives, artistic process, art pedagogy, politics and philosophy. Sarah's current research is focused on translation and empathy.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.