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For experienced writers, this supportive but rigorous workshop offers the perfect opportunity to develop your novel or short story. Receive in-depth feedback and benefit from detailed group discussions on the art of fiction.
Learning modes and locations may be different depending on the course start date. Please check the location of your chosen course and read our guide to learning modes and locations to help you choose the right course for you.
Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Centre for more information on a range of topics including fees, online learning and FAQs.
This is a supportive but rigorous workshop for experienced writers, ideal for those who have completed beginner or intermediate fiction writing courses. Students' work will be discussed and critiqued, and you will benefit from an in-depth exploration of approaches to writing and revising fiction. All forms of fiction writing - long or short - are supported on this course.
Students say:"The atmosphere was open, critical, but friendly and helpful"; "Rigorous and incredibly useful feedback from the tutor and the class"; "Outstanding teaching and genuine warmth and constructive criticism"; "I received useful, actionable feedback on my writing."
What will we cover?
- Constructive workshopping of student short stories and novel excerpts
- Craft issues, which will usually arise through workshopping, such as character, point of view, pacing, structure and style
- The process of revision.
What will I achieve? By the end of this course you should be able to...
- Assess and respond to pieces of writing with acumen and sensitivity
- Identify the basic issues involved in writing fiction, short stories, novellas, novels, etc.
- Apply your critical and editorial skills to your own work
- Produce submissions for comment on a regular basis.
What level is the course and do I need any particular skills?
The course is aimed at experienced writers who have previously attended writing courses and who have some years' experience of creative writing. You will need to be an enthusiastic reader who enjoys critical engagement with others' prose. Suitable only for those with reading and writing fluency in English.
How will I be taught, and will there be any work outside the class?
Through discussion, peer evaluation and tutor feedback. You will be expected to read your peers' workshop submissions closely at home and to provide them with constructive written feedback that will then be shared in class.
All writing courses at City Lit will involve an element of workshop. This means that students will produce work which will be discussed in an open and constructive environment with the tutor and other students. The college operates a policy of constructive criticism, and all feedback on another student’s work by the tutor and other students should be delivered in that spirit.
For classes longer than one day regular reading and writing exercises will be set for completion at home to set deadlines.
City Lit Writing endeavours to create a safe and welcoming space for all and we strongly support the use of content notes in our classes. This means that learners are encouraged to make their tutor and classmates aware in advance if any writing they wish to share contains material that may be deemed sensitive. If you are unsure about what might constitute sensitive content, please ask your tutor for further clarification and read our expectations for participating in writing courses at City Lit.
Are there any other costs? Is there anything I need to bring?
You may be asked to provide photocopies of your work for discussion. Your tutor will confirm the expectations for workshop logistics in the first session. Please bring writing materials.
When I've finished, what course can I do next?
You are welcome to enrol on another term of Advanced fiction writing workshop, though we recommend you do so with another tutor for a fresh approach. If you feel ready to progress, you can apply to enrol on one of our selective, application-only fiction writing Masterclasses. Please see the website for further details regarding Masterclass: fiction workshop.
Our Craft Focus series is also available to writers who wish to focus on an isolated element of fiction writing craft. We offer short intensive courses in developing character, plot, setting, point of view, and more. See our website or contact the department for advice on how you can develop a programme of fiction writing study.
All students are invited to join us at Late Lines, our regular performance night for City Lit writers. Students are also encouraged to submit their work to Between the Lines, our annual anthology of creative writing. For the latest news, courses and events, stay in touch with the Department on Facebook and Twitter.
Writer and visual artist Claire Collison was awarded the Women Poets’ Prize, 2018. Her first novel was a finalist in the Dundee Book Prize, 2005. Her poetry appears in magazines and anthologies, and has been placed in Winchester, Resurgence, and Hippocrates prizes. She has worked as subeditor for MAKE, the magazine of Women’s Art, and Arts Editor for Disability Arts Magazine. Claire was the first MaxLiteracy writer at Kettle’s Yard, Cambridge, and designs engagement resources, including for the Government Art Collection, National Maritime Museum, and Photographers’ Gallery. She has led creative projects within hospitals and schools, and with refugees and asylum seekers, vulnerable adults, elders, and young children. Her recent cross-disciplinary project, Truth Is Beauty was performed in venues across the UK. She is a founder member of Poets for the Planet.
Toby LloydSee moreSee less
Toby Lloyd is the author of the novel Fervour. His stories and essays have appeared or are forthcoming in Somesuch Stories, Carve Magazine, the Los Angeles Review of Books and elsewhere. He has been longlisted for the V.S. Pritchett Short Story Prize and nominated for a Pushcart Prize. He holds an MFA in Creative Writing from NYU, and his work has been translated into several languages.
Sarah LeipcigerSee moreSee less
Sarah Leipciger’s most recent novel, Moon Road, was published with Doubleday UK and Penguin Canada in 2024 and has been optioned for film. Her debut novel, The Mountain Can Wait, was published in 2015, and her second novel, Coming Up for Air, followed in 2020; it was longlisted for the Historical Writers Association Crown Award and has been adapted for stage with the Leipzig Opera House, to be premiered in spring 2026. She has had short stories shortlisted for the Bridport Prize, the Fish Prize and the Asham Award, and is a past winner of THIS Magazine’s Great Canadian Literary Hunt. She has also written non-fiction for The Guardian and The Toronto Star. Sarah has facilitated writing workshops across the country, including at literature festivals and men's prisons in London. She is an Associate Lecturer with the Creative Writing Department at Birbeck University, and Guest Tutor at Goldsmiths University.
Wendy BrandmarkSee moreSee less
Wendy Brandmark publishes fiction widely in British and North American journals, and has won the Bridport Prize. Her short story collection, He Runs the Moon, was longlisted for the Edgehill Short Story Prize. Her novels include The Stray American, which was shortlisted for the Jerwood Fiction Uncovered Prize, and The Angry Gods, which explored racism in 1950s America. She has reviewed fiction for the TLS, The Literary Review and The Independent. She has taught creative writing for over twenty years and is a tutor on the Oxford University MSt in Creative Writing.
Courttia NewlandSee moreSee less
Courttia Newland is the author of seven works of fiction. He has been nominated for the Impac Dublin Literary Award, The Frank O’ Conner award, The CWA Dagger in the Library Award, and The Theatre 503 Award for playwriting as well as numerous others. His short stories have appeared in many anthologies and broadcast on Radio 4. He is associate lecturer in creative writing at the University of Westminster.
Livia FranchiniSee moreSee less
Livia Franchini is a writer & translator from Tuscany, Italy. She is the author of a novel, SHELF LIFE (Doubleday, 2019) and a poetry pamphlet, OUR AVAILABLE MAGIC (Makina Books, 2019). Her latest English-language translation is THE SKY IS FALLING by Lorenza Mazzetti (Another Gaze Publications, 2023) and a second novel is slated for publication by Doubleday in 2024. Livia is Lecturer in Creative Writing at Goldsmiths where she also coordinates The Goldsmiths Prize for innovative fiction. With Lucy Mercer, she co-edits TOO LITTLE/TOO HARD, a magazine on the intersections of work, time and value. She lives in London.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.
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