Courses in London & Online

Come and explore London in writing! On this course we’ll study fiction and non-fiction texts about London. Contemporary perspectives on the city include two recent novels: Happiness by Aminatta Forna and Light Perpetual by Frances Spufford.

Ranging from sixteenth century love sonnets via bawdy Restoration verse to a Victorian eroticised poetic narrative, this course examines how the language of love and desire, and the poetic representations of gendered bodies, provide an idiom that can be used to express both conservative and more subversive cultural ideas.

“It was the best of times…it was the worst of times.”



How did the Victorians see the world? They lived through one of the most dramatic periods in our history – and their literature reflects that. Victorian Visions looks at a wide variety of themes in Victorian culture: from the city to the home, from dreams to nightmares, from faith to doubt, from moralism to decadence, from ideology to empire.

On this in-college literature course we will explore what some of the most significant British authors of the period did and thought on their travels, real and imagined, in the decade leading up to World War II. Authors include Graham Greene, Christopher Isherwood, Jean Rhys and George Orwell.

This online literature course explores representations of solitude in recent fiction and memoir. Reading twentieth- and twenty-first-century texts, we’ll consider experiences of solitude across rural and urban settings, from remote islands to crowded cities. How is solitude shaped by places, culture, gender, age and technology?

This class explores classic texts of 19th century French and Russian literature, discussing literary style, themes, and contexts as a way of developing and sharing responses to celebrated European writing. Among the French writers examined will be Balzac, Baudelaire, Flaubert and Rimbaud, with our Russians including Gogol, Dostoevsky, and Chekhov.

Martin Amis, Julian Barnes, Ian McEwan and Kazuo Ishiguro are household names of contemporary British fiction. But how did their careers begin in the 1970s and 1980s? And how do their early efforts stand up today?

The short story has come to be seen as one of Irish Literature’s most celebrated forms of expression. From the early stories of George Moore and James Joyce, to modern classics by John McGahern, William Trevor and Claire Keegan, the short story has allowed Irish writers to pick apart the complexities of Irish society in powerful, precise and poetic terms. This course will explore some of the most iconic short stories of twentieth-century Irish literature.