Courses in London & Online

Some poets began their writing lives, and sometimes lived much of them, outside the 'normal' modern urban lives which most of us experience. They have lived at the margins and despite - or perhaps because of - their geographic, political or emotional isolation, they have become major poets. We will look at how each has achieved national and international success with their poetry. Poets include C P Cavafy, Stevie Smith, Derek Walcott, Seamus Heaney and Bob Dylan.

This class explores the work of Leonard Cohen, examining his poetry, song, prose and persona in the context of the literary and musical traditions that shaped his art. We delve into Cohen’s meditations on life and the modern world through his absorption and reworking of a rich range of cultural influences.

What is prose poetry? What makes prose poetry different from line-broken poetry? Why might poets choose to write in this form? Come and explore the complexities and possibilities of this provocative form in a supportive group context.

In the house where many of them were written, we will explore why Keats’s poems are regarded as exceptionally beautiful. How did he achieve this? We will see that it wasn’t luck or simply inspiration, but the result of choices which reflect important aspects of Keats’ personality. Includes ‘Ode to a Nightingale’, Ode to a Grecian Urn’ and ‘To Autumn’.







This course will take place at Keats House, 10 Keats Grove, Hampstead, London NW3 2RR.

This course will look, decade by decade, at the leading figures of the generation caught up in the turmoil of the Revolution whose lives and poetry together form a veritable seismograph of the unfolding tragedy. Their extraordinary interrelationships and the originality and power of their writing constitute one of the richest periods in the history of Russian Literature.

Edith Wharton and Henry James had a keen eye for a well-designed and tastefully decorated house and both brought us depictions of splendid interiors in their novels set in ‘the Gilded Age’. We’ll discuss the changing tastes at the turn of the century, and how both authors used interior decoration to reflect the moral turn of their characters and the age.

Whether you are new to poetry or an experienced reader of verse, this course will enable and enhance your enjoyment by exploring the techniques that poetry uses to affect our response and create meaning. Exploring rhythm and rhyme, voice, mood, imagery, language and allusions, we will focus on a diverse range of poetic examples to examine how this powerful form of literature works to create emotion and connection with the reader.

The experience of living in Berlin in the early 1930s had a transformative effect on the life and work of Christopher Isherwood. In this course, we will discuss Isherwood’s masterpiece, Goodbye to Berlin (1939), and his autobiography Christopher and His Kind (1976), which reveals the real people behind the characters of Sally Bowles and Otto Nowak, and shines a light on the queer culture of Berlin Isherwood was unable to write about in the 1930s.

What is the role of poetry ‘off the page’ in public spaces? Can a poem change the way we might re-encounter cultural history? Do statues serve as ‘informants’ from the past? We read poetry by Jackie Kay, Lemn Sissay and Dorothea Smartt commissioned for bridges, pavements, monuments, even super sewer ventilation shafts to identify the challenges, revisions and celebrations that emerge from exploring the place of poetry in public spaces.

Ranging from sixteenth century love sonnets via bawdy Restoration verse to a Victorian eroticised poetic narrative, this course examines how the language of love and desire, and the poetic representations of gendered bodies, provide an idiom that can be used to express both conservative and more subversive cultural ideas.

Join us for an exploration of the ways we experience global literatures of our time. Inter-generational memory is the focus of two prize-winning novels, The Vegetarian (2007) by Han Kang and The Island of Missing Trees (2021) by Elif Shafak. Unearthing the painful truths of history in the context of culturally/politically divided Korea and Cyprus, the authors deal delicately, and brutally, with love, the environment, patriarchy, resistance and the metamorphosis of the female body.

We will be looking at novels from recent years that explore various dimensions of culture and society, reading and discussing a brief and careful selection of novels in English from several countries, diverse in style and genre. Titles include Piranesi, Susanna Clarke's mysterious and 'weird' tale of secrets and lost texts, William Boyd's Trio, which follows the life of an actress, a film producer, and a writer obsessed with the suicide of Virginia Woolf, Small Things Like These by Clare Keegan, in which a coal merchant becomes involved with the fate of a pregnant teenager trapped in a Magdalene Laundry, and Michelle de Kretser's Theory and Practice follows the academic trajectory of a Sri Lankan feminist researching the novels of Woolf.

Share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session on Friday 29 September with suggestions (contemporary fiction in paperback) and having read 'Story of the Forest' by Linda Grant. Meetings take place on 19/9, 24/10, 28/11, 30/1, 27/2, 27/3, 1/5, 29/5, 26/6.

From the theory of evolution to quantum physics and artificial intelligence, modern science has upended our understanding of the world and our place in it. How have writers of fiction responded to these radical changes?



We consider a range of fiction, including Frankenstein by Mary shelley, Angles and Insects by AS Byatt, Copenhagen by Michael Frayn and Klara and the Sun by Kazuo Ishiguro.

“It was the best of times…it was the worst of times.”



How did the Victorians see the world? They lived through one of the most dramatic periods in our history – and their literature reflects that. Victorian Visions looks at a wide variety of themes in Victorian culture: from the city to the home, from dreams to nightmares, from faith to doubt, from moralism to decadence, from ideology to empire.