Courses in London & Online

What is prose poetry? What makes prose poetry different from line-broken poetry? Why might poets choose to write in this form? Come and explore the complexities and possibilities of this provocative form in a supportive group context.

In the house where many of them were written, we will explore why Keats’s poems are regarded as exceptionally beautiful. How did he achieve this? We will see that it wasn’t luck or simply inspiration, but the result of choices which reflect important aspects of Keats’ personality. Includes ‘Ode to a Nightingale’, Ode to a Grecian Urn’ and ‘To Autumn’.







This course will take place at Keats House, 10 Keats Grove, Hampstead, London NW3 2RR.

Edith Wharton and Henry James had a keen eye for a well-designed and tastefully decorated house and both brought us depictions of splendid interiors in their novels set in ‘the Gilded Age’. We’ll discuss the changing tastes at the turn of the century, and how both authors used interior decoration to reflect the moral turn of their characters and the age.

Whether you are new to poetry or an experienced reader of verse, this course will enable and enhance your enjoyment by exploring the techniques that poetry uses to affect our response and create meaning. Exploring rhythm and rhyme, voice, mood, imagery, language and allusions, we will focus on a diverse range of poetic examples to examine how this powerful form of literature works to create emotion and connection with the reader.

What is the role of poetry ‘off the page’ in public spaces? Can a poem change the way we might re-encounter cultural history? Do statues serve as ‘informants’ from the past? We read poetry by Jackie Kay, Lemn Sissay and Dorothea Smartt commissioned for bridges, pavements, monuments, even super sewer ventilation shafts to identify the challenges, revisions and celebrations that emerge from exploring the place of poetry in public spaces.

Covering the early 19th century to the early 20th century, we will examine the East End and analyse how it was portrayed in works of fiction, thinking about how imaginative fiction and historical fact intertwine to create local legend.

What is a short story? Come and discuss its characteristics, its length, design, mood and style. What distinguishes it from other kinds of short narrative? We’ll compare short stories to other forms, such as myths, legends, anecdotes, fabliaux, parables, fables, and ‘tales’. We’ll look at some of the greatest practitioners including Edgar Allan Poe, Katherine Mansfield, and O’ Henry.

Come and explore the Nobel Prize-winning poet, T. S. Eliot, in a stimulating group context where our focus will be on immersing ourselves in the language and contexts of his striking poetry.

We will explore various themes related to ‘insanity’ and altered states of consciousness by examining a number of 19th-century works of fiction. Novelists and poets often had the greatest insights into the workings of the mind, and many Victorian psychiatrists cited works of fiction in their case studies. Among the authors we will cover are Charlotte Bronte, Edgar Allan Poe, Wilkie Collins, Gogol, Herman Melville and Charlotte Perkins Gilman.