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- What did narrative ever do for you?Course start date: Fri 10 May 2024 (and 1 other date)
Location on this date: Keeley Street
Tutors: Lily MarkiewiczLearn about the structure and function of narrative, and find out how it relates to your creative practice. In this workshop we will consider film, animation, moving image or other time-based practices, primarily, in which there is a clear and accessible connection to the unfolding of meaning over a linear (or non-linear) sequence, but we may also discuss examples across potentially any creative discipline, and other forms of expression. We will look at principles of narrative and narrative structures in film, the ‘conventions’ of storytelling across a range of examples, and how these have been used or subverted within the form. Storytelling is fundamental to human civilisation: across all cultures, narrative plays a central role in our understanding of our place in the world, and addressing profound questions about our existence. Children learn through stories; cultures cohere through shared narratives. We will consider the role of narrative as a fundamentally important pillar in underpinning societies, belief systems, and values, and why an awareness of these relationships is increasingly important in these ‘unprecedented’ times.Full fee £69.00 Senior fee £69.00 Concession £69.00 - The archive: resource and practiceCourse start date: Fri 7 Jun 2024 (and 1 other date)
Location on this date: Keeley Street
Tutors: Rolina Elsje BlokThe archive is an invaluable resource for artists and designers, without some version of which it is virtually impossible to engage in practice in any systematic way. Whether it takes the form of sketchbooks, photographs, found items and clippings, internet bookmarks, or any combination of these and other items, the archive is a tool for organising, examining and reflecting. In this professional practice module, we will look at how to create and access physical and online archives, and how to use them in both research and practice, creating and organising personal archives. Many artists use the archive as a form of art practice: we will examine this, and how it differs from other forms of archiving. We will look at multiple approaches to storing information, organising it for accessibility, and working with the tools and perspectives of the archivist or curator, as appropriate to one’s individual practice.Full fee £69.00 Senior fee £69.00 Concession £69.00 - The creative industriesCourse start date: Tue 18 Jun 2024 (and 1 other date)
Location on this date: Keeley Street
Tutors: Andrew McCartenCreativity is one of the areas in which the UK retains a leading position, globally, and much is made of the importance of the ‘creative economy’, and its value to the country. But what exactly are the co-called ‘creative industries’ we hear so much about? What is the value of ‘creativity’ and ‘innovation’ to the national and global economy, and does this extend beyond the overtly ‘creative’ pursuits of art, design and entertainment? How is so-called ‘creative thinking’ central to business, industries and services? In many countries around the world, the benefits of approaches to learning that are central pillars of ‘creative education’ are increasingly recognised in terms of their value in developing fully-rounded learners, and citizens. This workshop examines these questions, and considers the value of creative education in the context of a series of disciplines predicated on thinking related to solving problems, and its relevance for all aspects of contemporary life.
For this workshop, you will need to have access to A3 or A4 plain paper, and a range of coloured marker pens, as well as a notebook. Basic materials will be provided, but you are also welcome to bring and use your own.Full fee £69.00 Senior fee £69.00 Concession £69.00 - Collaborative creative projectsCourse start date: Fri 28 Jun 2024 (and 1 other date)
Location on this date: Keeley Street
Tutors: Rolina Elsje BlokRecent advances in technology and communications provide creative practitioners and communities with opportunities that, in historical terms, are unique. We have never before had the capacity to react to events and engage with issues that, in some cases for the very same reasons, can no longer be confined, in terms of their impact, to the location in which they occur. Consider, for instance, climate change, Coronavirus, the BLM movement and the global reaction to inequality and injustice. Artists and designers have at their disposal, through these same resources, and the full range of traditional media, the capacity to respond to these developments, and to effect change. With this, inevitably, comes the imperative of social responsibility. This workshop looks at how creative individuals engage with notions of collaborative practice (both via online/distributed models and through physical media/interactions) in the production or propagation of ideas, movements, memes or artefacts, including with those one has possibly never met, and perhaps does not even know. Besides collaboration in making, we consider the potential of social/viral media as a disruptor or organisational tool, (for example in events, happenings, flash-mobs, and organised protests or movements such as Anonymous, Occupy, XR, BLM and others).Full fee £69.00 Senior fee £69.00 Concession £69.00 - Developing art practiceCourse start date: Sat 5 Oct 2024 (and 1 other date)
Location on this date: Keeley Street
This advanced course for developing and practicing artists consists of work-based seminars facilitated by peers and artist-tutors, giving you the opportunity to develop and present your work for critical discourse. The course includes individual tutorials and mentoring, critical investigation via group crits, visits to galleries and artist-run organisations, collaborative work and discussion and debate. This course is one of the eligible programmes for application to Bloomberg New Contemporaries.
The course will be delivered onsite.
This course requires an application prior to enrolment. Please click 'start assessment' to begin your application.Full fee £1,199.00 Senior fee £959.00 Concession £839.00 - Art in theory: What is creativity?Course start date: Thu 31 Oct 2024
Location on this date: Online
Tutors: Ian TucknottThis critical studies course for developing artists and makers explores the concept of creativity and what it means to be an artist, drawing on a range of cultural theories and work by creative practitioners to help inspire and enhance creative and critical thinking.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £189.00 Senior fee £151.00 Concession £132.00 - Art and Ideas: Time and MemoryCourse start date: Wed 8 Jan 2025
Location on this date: Online
Tutors: Charles ChambersThis course if for students and creative practitioners interested in memory as a creative and conceptual theme. Explore and discuss ideas, theories and work by significant artists and writers to enhance and inspire the development of creative work.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information. - Art in theory: politics and societyCourse start date: Thu 9 Jan 2025
Location on this date: Online
Tutors: Charles ChambersCritical thinking course for creative practitioners exploring culture, society and politics drawing on a range of cultural theories and work by significant artists and designers to enhance and inspire creative thinking and practical work.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £189.00 Senior fee £151.00 Concession £132.00 - Art and Ideas: Identity and the selfCourse start date: Thu 9 Jan 2025
Location on this date: Online
Tutors: Ian TucknottThis course is for students and creative practitioners interested in identity as a creative and conceptual theme. Explore and discuss ideas, theories and work by significant artists and writers to enhance and inspire the development of creative work.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information. - The design briefCourse start date: Tue 4 Feb 2025
Location on this date: Keeley Street
Tutors: Andrew McCartenThis workshop provides a forum for exploring and discussing the process (and sometimes challenges) of working with clients over a commercial design brief or commission. While some design briefs are relatively straightforward, and perhaps require a simple rendering of the client's vision, at other times the client can be unsure of what they actually want, and it can be a frustrating, uncertain and time-consuming process for the designer to identify and produce a solution to what is, sometimes, a poorly-defined question. Referring to real-life examples and case-studies, this workshop will take learners through the process of making a pitch, deconstructing a brief to be certain of what the client wants and needs (and whether these are same thing), presenting proposals, and working within time, resource and financial constraints. These are invaluable skills for the design professional that are equally applicable, for the student, to project briefs and coursework.
For this workshop, you will need to have access to A3 or A4 plain paper, and a range of coloured marker pens, as well as a notebook. Basic materials will be provided, but you are welcome to bring and use your own as well.Full fee £79.00 Senior fee £79.00 Concession £79.00 - Is meaning inevitable? Intention, action and interpretationCourse start date: Fri 7 Feb 2025
Location on this date: Keeley Street
Tutors: Lily MarkiewiczDoes every creative act have meaning? Is there a statement – conscious or unconscious – inherent in everything we do as artists? Should we interpret or analyse what we see, what we do, what we’ve done? In this one-day workshop, we will examine a range of specific works, considering the question of whether and how meaning has been embedded (intentionally or otherwise) and can be identified and interpreted. This will, to some degree, touch on how individuals and societies make and ascribe meaning, perhaps as an attempt to process and come to terms with, for example, otherwise seemingly arbitrary events like a natural catastrophe or suffering. We will discuss and workshop these themes in the larger group, draw on examples presented, and the experiences of the members in the group. Other questions that may be considered include: discerning meaning as an attempt to find order in chaos, and whether or what we might lose by attempting to impose meaning, by attempting to explain within the confines of critical analysis, that which may, in fact, be critical to the character or intention of a work of art.Full fee £79.00 Senior fee £79.00 Concession £79.00 - Digital fundamentals: imaging for print and 2DCourse start date: Fri 14 Feb 2025
Location on this date: Keeley Street
Tutors: Rolina Elsje BlokAs artists and designers, we generally tend to observe a number of fundamental 'rules' when working with digital media for print-based or other forms of 2D output. These relate to steps or settings for proceses such as scanning, saving, resolution, image or data format, colour modes, compression... To a certain extent, much of this is received knowledge, and we don't necessarily know why we follow these rules. Knowing what they are based on, and why, is, however, fundamental to technical proficiency, and expertise, and knowing what these principles are based on allows us not only to produce work to professional standard, but also to exploit them to their full creative potential. This workshop will be of value to any visual artist who uses digital technology in their creative practice, from painters and printmakers to photographers and graphic designers. Coverage includes: principles and concepts underpinning digital imaging for print/static delivery: pixel/vector; resolution, scalability, application; acquisition, modes, formats and real-world constraints; file sizes/compression/data integrity; relation to physical output (size, resolution, process).Full fee £79.00 Senior fee £79.00 Concession £79.00 - Art and Ideas: space and placeCourse start date: Wed 19 Feb 2025
Location on this date: Online
Tutors: Charles ChambersExplore concepts and theories of space and place in relation to historical and contemporary art and making, and engage in discussion and debate related to landscape, urban, site-specific and place-based creative arts.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £189.00 Senior fee £151.00 Concession £132.00 - Art and Ideas: What is visual language?Course start date: Thu 20 Feb 2025
Location on this date: Online
Tutors: Ian TucknottThis course is for students and creative practitioners interested in visual language as a creative and conceptual theme. Explore and discuss ideas, theories and work by significant artists and writers to enhance and inspire the development of creative work and build an understanding of your own visual language.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £189.00 Senior fee £151.00 Concession £132.00 - Developing communities of practiceCourse start date: Sat 29 Mar 2025
Location on this date: Keeley Street
Tutors: Adam PiperWhat is a creative community? What does it mean to be part of a group of artists, designers or creative people? Communities maintain viability and relevance in ways that individuals can often struggle to achieve. Remaining a relevant part of the art world and engaging with issues with wider social significance is often easier as a collective, and arts organisations of all sizes increasingly emphasise the importance of groups, and their social relevance. This workshop, led by City Lit’s print area coordinator, examines experience gained working within the printmaking world, and establishing communities that have a life extending beyond the end of studies, exhibitions or projects. The workshop is relevant, however, to artists and designers of all kinds. In it, we examine what a community of practice is, how it might work, and what it means to be part of such a group. We consider and share insights of how artistic practice can have greater impact through group activity, how group activity can be relevant to your own personal practice, and, through it, how you engage with society. We also look at case studies, and consider the social and potential economic impact of each as an ‘artistic community’.Full fee £79.00 Senior fee £79.00 Concession £79.00
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