Advanced practice

Advanced Art Practice Courses in London & Online

City Lit’s Centre for Advanced Practice is where you can find advanced courses from across all subject areas in our School of Visual Arts. In many cases, this means well established courses of a year or longer, with outstanding reputations for preparing students for study at Bachelors or Masters level. Equally, their quality and depth makes them a viable alternative to the conventional Higher Education route, for many learners, into careers as creative practitioners.

To continue to support learners from a range of backgrounds, with diverse requirements, we have several new courses, recently launched – with more appearing soon – that build on our long-standing fine art and contemporary craft provision, and bring traditional practices up to date to ensure learners have the relevant skills for the contemporary creative industries. This is supported through increasing connections with external organisations and practitioners in many courses, for example through real-world project briefs, public exhibitions, or visits from industry professionals.

For Autumn 2021, we are introducing new titles in contemporary media and communications-based creative practices, and new courses running across a range of patterns and modes (weekly, monthly, studio-based, online or blended), to ensure that our advanced provision remains accessible and manageable alongside learners’ existing commitments. Alongside these developments, we are progressively refreshing many of our well-established courses, with an increased emphasis on critical discourse, and contemporary cultural debate, in keeping with the advanced level of study and focus on professionalism that are the common characteristics of all advanced practice courses.

In addition to our expanding range of advanced long courses, a new and growing range of advanced one-day workshops is now available (launched November 2020), aimed at providing knowledge and insight required to support specific aspects of professional practice. These can be taken individually, according to need or interest, or as complementary components of your own, pick-and-mix modular course. In common with our long courses, these will provide you with the skills, knowledge and confidence you need to take your advanced creative practice forward.

Any questions? Contact our visual arts team on visual.arts@citylit.ac.uk or call us on 020 7492 2700, Monday to Friday between 10am-12pm or 2pm-4pm.

Filters

Items 1-15 of 41

Page
per page
Set Descending Direction
  1. Is meaning inevitable? Intention, action and interpretation
    Course Date:  Fri 2 Jul 2021

    Location on this date:  Online

    Does every creative act have meaning? Is there a statement – conscious or unconscious – inherent in everything we do as artists? Should we interpret or analyse what we see, what we do, what we’ve done? In this one-day workshop, we will examine a range of specific works, considering the question of whether and how meaning has been embedded (intentionally or otherwise) and can be identified and interpreted. This will, to some degree, touch on how individuals and societies make and ascribe meaning, perhaps as an attempt to process and come to terms with, for example, otherwise seemingly arbitrary events like a natural catastrophe or suffering. We will discuss and workshop these themes in the larger group, draw on examples presented, and the experiences of the members in the group. Other questions that may be considered include: discerning meaning as an attempt to find order in chaos, and whether or what we might lose by attempting to impose meaning, by attempting to explain within the confines of critical analysis, that which may, in fact, be critical to the character or intention of a work of art.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £89.00 Senior fee £89.00 Concession £89.00
  2. Artist talk: Grant Smith - Photographing the City: Challenges and changes in the City of London
    Course Date:  Mon 5 Jul 2021

    Location on this date:  Online

    A talk by Grant Smith, photographer and tutor at City Lit. Smith has been photographing the City of London over the last 30 years and has enjoyed different perspectives on our historic centre. With photographs of buildings from Wren to Rogers, this illustrated talk will take you on a visual journey through the City of London architecture.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  3. Artist talk: Rosie James - Stitch Draw
    Course Date:  Mon 5 Jul 2021

    Location on this date:  Online

    Rosie James is a textile artist working with machine embroidery and screen printing to create narrative works. Focusing on crowds and figures, she uses stitch to create drawings, leaving loose threads and lines. She teaches all over the world running workshops, and at City Lit, running a masterclass in the summer.



    This talk looks at illustrative narrative in embroidery looking at all sorts of examples from the Bayeux tapestry to the work of contemporary textile artists.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  4. Artist talk: Tanvi Kant - Textile Tales: Personal and collective histories
    Evening
    Course Date:  Tue 6 Jul 2021

    Location on this date:  Online

    Tanvi Kant’s textile jewellery practice began by unpicking the woven threads of her mother’s silk sari in 2004. Looking for ways to prolong the life of fabrics and clothing no longer worn she developed sculptural cords through wrapping, coiling, knotting and stitching. She began delivering workshops alongside solo exhibitions of her work and now has over 13 years’ experience in delivering workshops within a variety of settings including galleries, museums, higher education, women's charities and residential care homes. She has been a jewellery tutor with City Lit since 2013. Her practice demonstrates how readily available materials can be transformed with unashamedly simple techniques. In this illustrated talk, Tanvi will follow multiple threads traversing both personal and collective narratives that intersect with her practice. Join us this evening to hear and see how a sari in the mid-west of the USA, microscopic worlds, cotton spinning in Lancashire and an empowered social reformer in British India spin together in expected and unexpected ways.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  5. Reflecting on exhibitions: intention and experience
    Course Date:  Tue 6 Jul 2021

    Location on this date:  Online

    How important is contextual knowledge when looking at art? To what extent, for example, do we need to understand the historical and political context of the time, or to know the biographical details of the artist? How do we apply such knowledge, and our own experience, in making informed subjective opinions of works of art?



    This workshop will build on some of these fundamental questions and assumptions, to examine how the visual arts are presented, and encountered. Alongside the context, environment, and design/production values of an exhibition, we will consider the target audience, visitor experience, accessibility, and so on. Beyond these questions, we will also consider a number of factors related to public policy and accountability. For example, how does the Arts Council assess the 'Artistic Quality' of the work it funds, and what are its criteria for assessing funded exhibitions, in terms of fulfilling their values (education, public engagement and access)?



    Referring to real case studies (either physical or virtual), the group will present and discuss experiences of visiting exhibitions or encountering works of art in specific contexts, and how these have informed, enlightened or affected individual thinking or practice, and served the needs of artist, exhibitor and audience.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £89.00 Senior fee £89.00 Concession £89.00
  6. Artist talk: Michael Harding - No Man's Land
    Evening
    Course Date:  Wed 7 Jul 2021

    Location on this date:  Online

    Michael Harding is a fine art photographer whose work primarily addresses urban landscapes and the built environment, where he explores subtle physical tensions between elements. His recent work has evolved into diptychs which contrast different perspectives of the same scene, examining viewpoint and time shifts.



    Michael also enjoys a professional practice working on projects for a range of blue-chip companies, photographing faces, places and spaces around the world.



    Michael will talk about his artistic evolution, discussing pioneering work by photographers such as Walker Evans, Lewis Hine and Dorothea Lange, and how these have influenced him. He will explain how his work has developed over time and now focuses on a filmic approach exploring the hidden narratives within the built environment. This will be an interactive talk with Q&A’s.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  7. Artist talk: Heidi Wigmore - Extreme life drawing: strippers, shibari and the ballet
    Last Few Places Evening
    Course Date:  Thu 8 Jul 2021

    Location on this date:  Online

    Heidi Wigmore is a visual artist with a drawing-based practice; dynamic female figures are prominent in her work. She has led 'live drawing' events in all kinds of spaces and places, from the Coliseum, Sadlers Wells and Tate Liverpool, to the ‘House of Hackney’ Shoreditch showroom, a tent at Port Eliot and a beach-side stage in the Virgin Islands...all the way to the Royal Academy's historic Life Room. In this illustrated talk she will describe how she is inspired by the 'live charge' of drawing the performative body and how it invigorates her studio practice. From sketchbooks to large scale banners and billboards, her work explores the perceived common language between contemporary strippers, classical ballet dancers, the extreme contortion of Shibari performers and the female nude of western art. Heidi is the Life and Portrait Coordinator and Fine Art tutor at City Lit.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  8. Presenting and exhibiting: photographing your work 1
    Course Date:  Fri 9 Jul 2021

    Location on this date:  Online

    Photographing your work properly is important, whether for the purposes of promotion, for your own records, or to document your own exhibitions or installations. While smartphones offer convenience and immediacy, and allow us to share images instantly, to our audiences on social media and potentially anyone around the world, there is much more to consider both in terms of equipment and set-up, if you want to document and archive your creative work to a professional standard.



    In this one-day workshop, approaching from the perspective of the exhibiting artist, craftsperson or designer, we address the factors involved in documenting your work for or in an exhibition, and demystify the process to ensure you will always be able to obtain images of your work that serve as a faithful reference even after you have sold the original piece. We cover selecting lenses and filters to ensure an appropriate image quality; use of appropriate photographic equipment and why you need to ensure appropriate lighting and metering; understanding and selecting camera modes and settings to ensure appropriate image quality; why is your smartphone is not good enough to document your work to the standard required (although it can still have a role in the documentation process)



    Although not a requirement, this workshop will be of particular benefit to those who are also doing VPP850-1 Presenting and exhibiting: curatorial perspectives.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £89.00 Senior fee £89.00 Concession £89.00
  9. Artist talk: Kate Hardy - Ways of working
    Evening
    Course Date:  Fri 9 Jul 2021

    Location on this date:  Online

    Kate is a painter and printmaker who works at Chisenhale Studios in East London. She likes being surprised by materials and tries to make them behave in new ways. Kate’s talk will be a virtual studio visit. She will introduce her work and ideas, and describe how her studio practise is a thought process which comes out of real and imagined memories, dreams, films and the crumbling buildings of London.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  10. Artist talk: Keith James Clarke - Reflections on bright-eyed and bushy-tailed architecture
    Weekend
    Course Date:  Sat 10 Jul 2021

    Location on this date:  Online

    Keith is a tutor at City Lit and began his professional life working on multi-million-pound developments for an internationally recognised Cambridge practice. He questions the coherence and quality of some domestic refurbishment, by others, which has motivated him, from the mid-80s onwards, to specialise in designing small-scale residential properties. During this talk, he will explain his work practice, focussing on design generators, their relationship with 3D visualisation and how they aid design development and decision-making. Keith will refer to a couple of examples from his portfolio of work and outline his commitment to creating designs with strong architectural and environmental credentials.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  11. Artist talk: Rod Judkins - How do you display your art work to show it at its best
    Weekend
    Course Date:  Sun 11 Jul 2021

    Location on this date:  Online

    Great art can look awful if poorly presented. Rod Judkins will explain the process of creating a portfolio for either fine art or design to show your work at its best. The slide talk will provide examples from outstanding portfolios of City Lit students who have applied to foundation courses, degree courses, and MA’s.



    The talk will explain the ideal content needed in a portfolio, such as research, the need for a personal portfolio where you show you are developing your visual language, and presentation skills. In addition, the talk will explain the preparation of both physical and online portfolios.



    This talk will give you an insight into City Lit courses such as Building an Art and Design Portfolio and Art and Design Portfolio Projects. Why not show your work to its best potential!

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  12. Artist talk: Lindsay Pickett - Feeling 'Othered'
    Weekend
    Course Date:  Sun 11 Jul 2021

    Location on this date:  Online

    Lindsay Pickett’s work explores the theme of hybridity, entangling the socio-political issues relating to genetic experimentation with animals and a world of sci-fi fantasy. Half-and-half species become alienated or classified as different to an accompanying herd of animals. Alongside his concerns around animal experimentation, the artist embraces and communicates aspects of the psychological mind-set of these hybrid animals, relating them to ideas of social rejection and absence where being different can cause alienation in the animal and human world.



    For Pickett, painting is a form of self-expression, allowing him to be himself not just as an artist, but also as a person. It gives him a voice to convey current concerns about the behaviour of elements of humanity.



    Often feeling 'othered' in social and work circumstances, Lindsay has found a voice through his animal hybrids which work as a metaphor for his way of 'not belonging'. Otherness is the key here. it should not always be seen as a negative thing, but as something positive and unique.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  13. Artist talk: Charles Chambers - The unbuilt and the unbuildable: a history of the schemes that got away
    Weekend
    Course Date:  Sun 11 Jul 2021

    Location on this date:  Online

    From Piranesi’s renderings of darkly foreboding and fictitious prisons, Boulleé’s gargantuan proposal for Newton’s cenotaph to Archigram’s ‘Walking City’ and Zaha Hadid’s unrealisable dreams; the history of architecture is littered with unbuildable fantasies and the also-rans of architectural competitions. Join Charles Chambers, lecturer in Architectural History and Theory for a stroll through the might-have-beens of an alternative cityscape.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  14. Artist talk: Rod Judkins - Make brilliant work
    Evening
    Course Date:  Tue 13 Jul 2021

    Location on this date:  Online

    'Make Brilliant Work' is for individuals who want to fulfil their potential but feel limited by their talent, knowledge, or skills. Based on the inspiring new book, 'Make Brilliant Work', will give you a route map of radical new paths to success. You will leave with essential tools to overcome obstacles, blocks, and blind spots.



    In 'Make Brilliant Work', you will learn from cutting-edge research in art and design, psychology, and science. The talk also explores a range of case studies to help you understand how success materializes and apply these to your life and work.



    The talk will demonstrate to any individual or team: the necessity of personal reinvention, the extraordinary benefits of liking something everyone else hates, how to hyperfocus in a world of interruption, turn a negative experience into a positive result, and much more.



    The talk will strengthen any individual, organisation, or team searching for personal improvement and breakthroughs.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £5.00 Senior fee £5.00 Concession £5.00
  15. Presenting and exhibiting: photographing your work 2
    Course Date:  Fri 16 Jul 2021

    Location on this date:  Online

    Photographing your work properly is important, whether for the purposes of promotion, for your own records, or to document your own exhibitions or installations. Having spent hours ensuring that you have captured perfect photos of your work, you need to be sure you can process them for the purposes you have in mind (eg: print, web, publicity), edit them non-destructively, and archive them appropriately for future reference.



    Working from the premise that you have already photographed your subject (your own work or exhibition/installation) to an appropriately professional standard, using suitable equipment and data formats, this one-day workshop covers: processing and archiving photographic records of your work, selecting and organising the best shots, using non-destructive data formats and working with specialist photography software and formats to ensure commercial standard image quality, and the integrity of the original image files in the editing process. We also look at considerations involved in processing your images to the required specifications for galleries, promotional materials, websites or publications, and effective systems for archiving images non-destructively, for your own future use and ensuring access to a growing body of work in perpetuity.



    Although not a requirement, this workshop will be of particular benefit to those who have completed VPP861-1 Presenting and exhibiting: photographing your work 1.

    This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
    Full fee £89.00 Senior fee £89.00 Concession £89.00

Items 1-15 of 41

Page
per page
Set Descending Direction

Can't see a course you want?

Add this category to your waiting list to set up alerts and we will update you when new courses are released online.

Add to your waiting list