Drawing Courses in London

This class explores the work of Leonard Cohen, examining his poetry, song, prose and persona in the context of the literary and musical traditions that shaped his art. We delve into Cohen’s meditations on life and the modern world through his absorption and reworking of a rich range of cultural influences.

What do we mean by ‘literary fiction’? What expectations do we bring to the novels we read? Do we really ‘escape’ when we enter fictional worlds? These are just some of the questions addressed in a course which focuses on the analysis of prose fiction. Reading texts as short as one-sentence ‘flash fiction’ to complete short stories, it engages with writing from a wide range of periods and authors, paying close attention to narrative techniques and their effects.

This online course introduces a selection of fairy tales from the First Golden Age of Children’s Literature, occurring in the latter half of the 19th century until the early 20th century. We will focus upon L. Frank Baum’s The Wonderful Wizard of Oz (1900), J.M. Barrie’s Peter Pan (1911), George McDonald’s The Princess and the Goblin (1872), and Charles Kingsley’s The Water-Babies: A Fairy Tale for a Land-Baby (1863).

Join Dr Vince Cable, former minister and party leader of the Liberal Democrats, to learn more about key politicians who changed the global narrative on economics.

Myth permeated all aspects of ancient society and much the same can be said today. Investigate the relevance and perseverance of the Greek myth and why these tales continue to fascinate.

Godard’s definition of cinema is particularly apt for documentary. But today, documentary is at a crossroads, with first person, self-shot, iPhone filmmaking at one end of the spectrum and mega budget, celebrity-fronted or focused storytelling at the other. Is documentary up to the challenges of an era where facts themselves are in doubt – or is it the last hope of an otherwise overly massaged media, accused of ‘fake news’? When is factual filmmaking no longer factual? Reality television and co-called ‘constructed reality’ increasingly call into question the veracity of documentary protagonists increasingly cast – and paid – to be entertaining. Through the lens of current and recent releases, we look at animated documentary, activist documentary, archival documentary, and autobiographical documentary among other recent developments - and ask if the form has a future.







Dr Paul Kerr began his career working at the BFI, working in the National Film Archive, and as a freelance film and TV critic and lecturer. He then spent over 20 years as a producer and director, making arts and history programmes, including dozens of documentaries, for the BBC and Channel 4, as well as international broadcasters. More recently he was a Senior Lecturer in Film and Television at Middlesex University until 2024. His books include Hollywood Independent: How the Mirisch Company Changed Cinema (2023); The Hollywood Film Industry; and MTM: Quality Television and two co-authored dossiers, Multiplatforming Public Service Broadcasting and Drama Documentary. He has published articles in journals including Screen, Transnational Cinemas, The Historical Journal of Film, Radio and Television and Critical Studies in Television as well as The Guardian, The Sunday Times, The Observer, Broadcast, NME and The New Statesman.

Explore the transformation of London from the onset of Thatcherism in 1979 to its status as a global metropolis in the 21st century.