Drawing Courses in London

Discover the vibrant linguistic landscape of Sweden on this introductory lecture course. Gain a linguistic insight into the Swedish language and learn about Sweden's fascinating and diverse minority language cultures.

Do you want to slow down aging? Do you want to be fit and healthy into your later years? This is the course for you! Learn which foods and drinks slow down ageing and protect your body from the diseases of older age, and which foods you should be avoiding. Gain a proper understanding of why some foods are so good for us, and why some are so damaging to our bodies. This is a relaxed and friendly class where questions are welcomed. It is packed with information and you should leave it feeling inspired to make healthier decisions about what you do and don’t eat and drink.







‘Nutrition to slow down aging part one’ and ‘Nutrition to slow down aging part two’ are two stand-alone three hour courses. You can take both courses, or just one, ideally take part one first, but it doesn’t matter if you do them the other way around. The courses complement each other.

Would you like to write a picture book text for young children? This course is designed for children's writers and for illustrators wishing to write their own stories; a starter course to develop both your ideas and your technique.

Britain encompasses a fascinating variety of beautiful landscapes, from the lakes and hills of the north-west to the flatlands of East Anglia. This course gives you a practical introduction to the unique geology beneath these areas, covering main rock types and geological periods.

Uncover the workings of the classic one-liner, practise joke writing and find out what makes a good joke. Learn how to refine and develop your own writing skills for stand up, comedy writing and pleasure.

Night of the Demon (1957), The Wicker Man (1973) and Frightmare (1974) form part of a less familiar, though equally striking, horror tradition than that of Hammer, and often in very different terms. Explore chillers from the 1930s and 40s, the proliferation of horror in 1950s, 60s and 70s along with more recent examples, while assessing a range of critical accounts of British horror beyond Hammer.

All fiction must speak to us as readers. It must communicate atmosphere and plot, character and layers of meaning with a unique 'voice'. Characters must also sound like themselves with dialogue that compels and convinces. Learn the fundamentals of voice and dialogue in this one-day course.