Explore Culture, History & Humanities Courses

Discover the secrets of the Old Masters and learn how they created their wonderful effects in this introductory course on painters and painting. We will consider the physical history and scientific examination of artworks in relation to aspects including forgeries, hidden paintings and conservation/ restoration.

Explore the intricacies of debt within the global political economy, examining its impacts, mechanisms, and socio-economic consequences.

This course will provide a reflection on the colonial, post-colonial and neo-colonial aspects and underpinnings of contemporary conflicts.

The pursuit of happiness is ongoing. In the ancient Greek world this gave rise to several ‘philosophies of life’ that remain the cornerstone of contemporary attitudes. Join this course to explore their key sources.

Why have so many British authors set stories in and around an important house? How does the structure, history and atmosphere of a great house affect plot and narrative? And where do authors derive their inspiration to build fictional houses that capture readers’ imaginations so fully? The novels on this course all focus on one finely imagined house and demonstrate the author’s own personal concerns of the time.

The oldest profession as practised among the Romans - not for the squeamish.

Have you wondered why a film might have moved you so powerfully or why it looked so stunningly beautiful? Have you wanted to know quite how a film was able to communicate its story to you so effectively? If so, then this advanced level film studies course is for you. It aims to explore in depth the language of cinema, the way in which film connects with its spectators at the level of film form, in other words, film aesthetics. Writers and critics have long asked similar questions, as have filmmakers themselves, and we will follow some of the most celebrated in their quest for answers. We will look briefly at how films are made and at the importance of cinematography, editing, mise en scène and sound, before exploring in depth film’s aesthetic qualities. We will think about the importance of history for the development of film form and we will analyse clips and sequences from individual films so as to better approach and understand film aesthetics.

This course will introduce and discuss two novels by eminent author, Muriel Spark- Memento Mori (1959) and The Ballad of Peckham Rye (1960). Her writing wilfully upends notions of conformity and acts as a disrupter to accepted conventions. Instead, ‘Spark beckons us to encounter the stranger’ (Marilyn Reizbaum). Playfully disrupting passive readers and stretching comfort zones, Spark’s work provides a space to access unaccustomed outlooks that make us rethink our relationship with ourselves, others, and the world. Instead of unconsciously going with the flow, she awakens us to life’s stranger things.

Explore the story of how Indian painted and printed cottons became an important trade commodity for the Western domestic market, and the far-reaching impact of their design and manufacture.

Are you curious about reading contemporary global literature? Would you like to understand what we mean by the ‘global novel’, reading across cultures and national borders? This in-college course will introduce you to the study of global literature through reading three brilliant 21st century global novels: Mohsin Hamid’s Exit West, Rana Dasgupta’s Tokyo Cancelled and Julie Otsuka’s Buddha in the Attic.

Mahama Gandhi’s messages are profound and based both on his lived experience and intellectual power. His views on truth seeking and non-violent action have inspired many, particularly in the civil rights movements. Join this one-day course to find out more about his philosophy and consider its continued relevance in the 21st century.

Explore the portrayal of Captain James Cook from c. 1770 to the present day. Understand images of Cook provide us with a fascinating platform to think about the complicated relationships that have emerged out of British Empire and what used to be thought of as its imperial possessions.