Discover Ancient Civilisations - Online Courses

We will read and discuss three classic plays: Sophocles’ Antigone, Shakespeare's Measure for Measure and William Wycherley’s The Country Wife. Focusing closely on structure, language and tone, we will consider how dramatists across time have explored themes such as sexual politics, family relationships and state power through their plays, as well as considering the social, cultural and historical contexts in which they were produced.

This course will explore the concerns, styles and influences of three dramatic texts from the 20th and 21st centuries and how they reflect the social, political and cultural conditions in which they were written. It focuses primarily on Harley Granville Barker’s Waste, Tom Stoppard’s The Real Thing, and Lucy Prebble’s The Effect, making multiple connections between them as the course progresses.

The short story in Europe has characteristics all of its own. While British, Irish and American stories are rooted in psychological realism, many European writers have tended towards a more philosophical approach, reflecting the concerns of the modern age as experienced by the sensibilities of individual writers. Authors such as Thomas Mann, Franz Kafka and Albert Camus are masters of the kinds of tale which ask profound question about the nature of our existence. They are also supreme stylists capable of sustaining a gripping narrative.

Surrealism is one of the great developments of 20th century literature. It’s different from the fantasies of previous centuries (fairy and folk tales, imaginative stories set in remote parts of the world, satires, science fiction) because it expresses complex bizarre experiences that many people recognise as possibly part of themselves. It may reflect desires which are difficult to admit but are sometimes expressed with wit and humour. We explore how surrealism developed from the apparent nonsense of three 19th century English writers.

Join us to read and discuss a selection of novels from the 1950s and 1960, in English and in translation, some of which, like Stan Barstow’s powerful story of upward mobility A Kind of Loving and Ngugi Wa Thiongo’s poignant portrait of unrest in Kenya Weep Not, My Child, have rarely been out of print. Some are recent rediscoveries, such as Han Suyin’s story of forbidden romance in wartime London, Winter Love, and Chingiz Aitmatov’s delicate Kyrgyz fable, Jamilia. Fresh translations of Magda Szabo’s Iza’s Ballad and Tove Ditlevsen’s autobiographical coming of age story,Youth, are also included.



NB. This course will have a break week on Wednesday 29 May.