Discover Ancient Civilisations - Online Courses

We look at four poets who struggled to be heard or accepted because their work was so different from what their society expected. What were the barriers they had to overcome and how did they win through to become admired and highly regarded? What made one of the poets stop writing at the age of 21 and the other three continue for the rest of their lives? What makes the poetry of all of them so original, and what can we learn from their resilience?

Explore the intimate relationship between Beckett’s universe of unbelief, presided over by a Godot who never comes, and Dante’s poem, the most exalted, vastly influential literary expression of medieval Christianity, whose presence can be felt everywhere in the Irishman’s long oeuvre, in every genre – in his plays, novels, stories, poems, essays - and at every stage of his career. What brought them together, and what were the results?

Join us to explore the rise of a dark, psychologically complex strain of Crime Fiction in the 1940s and 50s. Often termed the ‘psycho-thriller’, these novels put the criminal mind centre-stage, delving into murkier recesses of the human psyche than had previously been entertained. Focusing on two key examples of the genre, Patrick Hamilton’s Hangover Square and Patricia Highsmith’s Strangers on a Train, we will analyse and contextualise the psycho-thriller as it evolved in Britain and America.