Explore Culture, History & Humanities Courses

Explore art and culture in the late 19th century Europe, focussing on the major developments in modern art including the Pre-Raphaelites, Impressionism, Post-Impressionism and Symbolism, and their relationship to wider cultural contexts.

Share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session with suggestions (contemporary literary fiction in paperback) and having read 'Absolutely and Forever' by Rose Tremain. Monthly meetings take place on 26/9, 31/10, 5/12, 23/1, 20/2, 20/3, 8/5, 5/6, 3/7.

Discover the 17th century: a time of upheaval in Europe, intercontinental trade, religious schisms and a wide range of artistic styles. See its art, architecture and design in London’s galleries and museums. #arthistory #explorelondon #walkingtour.

This class explores the wonderful world of 19th century American literature, reading classic texts to broaden knowledge of literary history through a range of influential novels, stories, and poems. Among the writers considered in their literary, political, and cultural contexts will be Edgar Allan Poe, Nathaniel Hawthorne, Walt Whitman, Emily Dickinson, Herman Melville, Mark Twain and Kate Chopin.

Why laugh in a time turmoil? Explore how artists Pieter Brueghel the Elder and William Hogarth reflected on the hypocrisy of their times with scathing satire. Reflect on how studying historic comedy might shift our perspectives on the value of humour, past and present.

Trace the importance of foreigners to the British art scene from the Tudor period to the Baroque. How did artists like Holbein, Dobson, van Somer and van Dyck influence the British School?

Is The Matrix a science-fiction movie starring Keanu Reeves, or the most influential work of philosophy of the last fifty years? Who is more nihilistic, Humphrey Bogart or Frederic Nietszche? In this course, we will examine the relationship between film and philosophy, engaging with current debates in film theory and in wider society. We will consider whether it is appropriate to label film as a form of philosophy, how film acts as philosophy, and the ways in which our experiences of watching film helps up to think through ideas about the human experience that have received attention amongst centuries of philosophical literature. Is film merely entertainment, or is it our most important form of philosophy?

On this in-college literature course we will read Seamus Heaney’s North (1975), his first collection to deal explicitly with the Troubles in Northern Ireland, alongside poems on the same theme by contemporaries including Michael Longley, Seamus Deane and Derek Mahon.

Explore the City’s development from Roman and medieval times through to the Tudors and Stuarts. This course will consist of 8 guided walks starting with Roman London.

Formally, European imperialism ended decades ago. Yet, the different legacies still affect the world and many societies today. Join us for a discussion on why we need to talk about empire and mental wealth.

This four-week course delves into the written words and thoughts of the ancient Egyptians. Students will gain a foundation in the iconic writing of hieroglyphs, putting their newfound skills into practice by reading original texts from British Museum artefacts. This is a truly fascinating and intricate language, and it offers its readers the ability to understand the lost voices of one of history’s most remarkable civilisations. The class will be held at the British Museum.

What do The Apartment, The Great Escape, West Side Story, In the Heat of the Night, The Pink Panther, The Magnificent Seven, Fiddler on the Roof and Some Like it Hot have in common? They were all produced by one small production company, run by three brothers, as the studio system was replaced by the new independent producers. Most Hollywood history fetishizes the 1970s as the decade in which the movies finally came of age. But this course looks back to the late ‘50s and ‘60s and zooms in on a single independent production company, the Mirisch Company, to understand the seismic shift that transformed Hollywood – not only in how films were produced but also in terms of the subjects and styles of the films themselves.