Explore History, Culture & Writing

This course aims to make Stein’s thought more familiar by examining her contribution to a philosophical-phenomenological understanding of faith and religion.

German Expressionism influenced Hollywood horror after itself being influenced by early Swedish Nordic noir. Along with F.W. Murnau and Robert Wiene, Fritz Lang was one of the key figures of German Expressionist cinema. Their influence crossed borders and is alive today in cinema tropes, camera techniques and narrative themes still used by filmmakers, game designers and artists. Their films changed moviemaking forever as directors and set designers created a nightmare environment of unnatural perspectives and distorted images in early films such as Nosferatu (1922 F.W. Murnau), The Cabinet of Dr. Caligari (1919 Robert Weine), and Metropolis (1927 Fritz Lang) which led to Dracula (1931 Tod Browning), Spellbound (1945 Alfred Hitchcock) and Blade Runner (1982 Ridley Scott). American pulp fiction shaded this into film noir in The Killers (1946 Robert Siodmak) and Double Indemnity (1944 Billy Wilder), films created by directors who had fled the land of German Expression. It had come full circle.

Look at the least known episodes in London's history, Lundenwic (AD 600-900) and Lundenburh (AD 900-1000).



Includes an introductory lecture and a guided walk.

Discover stunning objects from ancient Greece and the evidence they provide for the lives of ancient people. Spend the afternoon having a close look at the British Museum's collection.

Discover the art and architecture of Spain during the Arab domination (711-1493).

This course will offer an overview on the most interesting pieces of jewellery produced by Islamic dynasties along the centuries.



This session accompanies the forthcoming Classics Day (RCD61) organised by City Lit in partnership with the British Museum and University College London. This year’s inspiration is the major British Museum exhibition “Luxury and power: Persia to Greece”.

Find out how cosmetics and make up were used in Ancient Egypt.



This session accompanies the forthcoming Classics Day (RCD61) organised by City Lit in partnership with the British Museum and University College London. This year’s inspiration is the major British Museum exhibition “Luxury and power: Persia to Greece”.

Euripides’ Medea has fascinated audiences for centuries, its tragic action confronting spectators with scenarios almost too terrible to contemplate. Successive generations have adapted the play for their own times, ensuring its place in theatrical repertoires and the cultural consciousness. This course considers how 20th and 21st century adaptations of the tragedy have responded to its most compelling and disturbing act: Medea’s killing of her own children.

There are a surprising number of films that make use of repetition as a motif or as a structuring device for their narratives. Two particularly celebrated examples are Groundhog Day (Harold Ramis 1993 US) and Memento (Christopher Nolan 2000 UK/US). This course will explore this phenomenon, by referencing psychoanalytic film theory and the idea of the repetition compulsion, but also through the detailed analysis of both of these films.