Film studies
Enjoy a fresh look at big screen classics, ground-breaking titles and cult favourites featuring a cast of iconic names, former stars and the men and women who called the shots.
Check out our blog post on our new Cultureplex Ciné-Club, where once a week, for 12 weeks (and throughout the academic year in terms 2 and 3), we will watch and discuss film.
Study in-person, or online from the comfort of home, with classes that allow you to participate in discussions with fellow adult students and share your passion for Film as part of a learning community. We offer daytime, evening and weekend courses, both short and long. Our tutors are experts in their fields and experienced educators. Tutors share their knowledge and passion for Film through presentations, screenings, interactive discussion, analysis, and other activities.
Many students return to take more courses, telling us they enjoy being part of our City Lit literary community. Our popular courses often sell out quickly, so we invite you to browse and book your place now.
- Fifties MusicalsCourse start date: Wed 16 Oct 2024
Location on this date: Keeley Street
Tutors: John Wischmeyer“The more beautiful everything is, the more it will hurt without you”—Gene Kelly as An American in Paris (1951) singing to Leslie Caron. Happy endings are hard won in fifties’ musicals and The End is where they were heading. MGM was the studio of musicals in the 1950s. During this decade other studios presented only occasional musicals. The musical was big business for Hollywood in the 1950s and so was the western, so bringing them together made sense. Annie Get Your Gun had been a big success for MGM so Warner Bros. decided to get a piece of the action with Calamity Jane (1953 David Butler with Doris Day). Judy Garland was sacked by MGM in 1951, then followed Joan Crawford to Warner Brothers where she staged a big comeback in, fittingly, A Star is Born (1954 George Cukor). Oklahoma (1955 Fred Zinnemann) and Carousel (1956 Henry King) from 20th Century Fox introduced Shirley Jones. And don’t forget Leonard Bernstein’s score for On the Waterfront (1954) that anticipated West Side Story (1961). (See related courses on Fifties Melodrama and Film Noir and 50 Films From the ‘50s: Hollywood’s Last Stand).Full fee £169.00 Senior fee £135.00 Concession £110.00 - Fifties film and television: Hollywood's last stand as TV beginsCourse start date: Thu 7 Nov 2024
Location on this date: Online
Tutors: John WischmeyerThis is the decade when television really took off, when I Love Lucy premiered on a Monday night in October 1951, followed by Milton Berle as “Mr. Television” on Tuesdays. Everyone went out to buy a TV set. How could Hollywood compete with this free home entertainment? Biblical epics and Ben-Hur was one answer. On the Waterfront (1954) to Some Like It Hot (1959) was another. The fifties was the beginning of the end for the business model of the studio-era, a golden age in place since the 1920s. However,
Hollywood reacted by producing some of the finest and most enduring films in its history as it slowly began to find newer, younger audiences for James Dean in Rebel Without a Cause (1955). Coming-of-age indeed! So was television, as it produced some of its finest programmes. It seemed like every week a new show or a new genre: Sgt. Bilco, Playhouse 90, Edward R. Murrow, Walt Disney Presents, Route 66—and all in prime time.
(Also see related courses on 50s Westerns, Musicals and Film Noir).
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £169.00 Senior fee £169.00 Concession £110.00 - The alternative greatest films ever: The Sight & Sound and student pollCourse start date: Mon 22 Apr 2024 (and 1 other date)
Location on this date: Keeley Street
Tutors: John WischmeyerThis is a stand-alone companion course to the Autumn ’23 course on the Sight and Sound Poll of the Greatest Films of All Time. The first reactions to the Sight and Sound Poll 2022 were divisive, as completely expected, when certain 21st-century films made the list and other venerated classics were dropped (see topics below for the list). As interesting as the top 100 was to discuss, we wanted to look a bit deeper to see how the reception of certain films shifted over the last decade, with a rundown of the films that were added and those removed. Be assured, they are as enjoyable as the Top 100—perhaps even more so. In addition to viewing the films that were added or dropped, students will conduct their own poll of the Greatest Films of All Time. Enjoy either or both of these complementary courses.Full fee £239.00 Senior fee £191.00 Concession £155.00
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