Film Studies Courses
Study online & in London

The filmmakers associated with Italian Neorealism are celebrated for their commitment to representing post-World War 2 Italy as realistically as possible and their influence has been significant. In this 6-week course, Dr Paul Sutton will examine the richness of this ‘movement’ and consider the reasons for its enduring legacy, while countering some of the myths that have grown up around it on the way.



Please note that this course takes place in The Studio at the BFI Southbank.

This comprehensive introductory course provides an overview of the main historical, technical and theoretical aspects of filmmaking and film analysis. In its exploration of aspects of film theory as it relates to film aesthetics and film history, the course develops certain ideas with rigour and depth.

Defining itself around themes such as realism, class and national identity, British cinema continues to find critical and popular acclaim, both domestically and internationally. This course explores British cinema, past and present, through a range of critical concepts and approaches, films - including both popular and art house - and filmmakers, and considers its function as a national cinema.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

“The more beautiful everything is, the more it will hurt without you”—Gene Kelly as An American in Paris (1951) singing to Leslie Caron. Happy endings are hard won in fifties’ musicals and The End is where they were heading. MGM was the studio of musicals in the 1950s. During this decade other studios presented only occasional musicals. The musical was big business for Hollywood in the 1950s and so was the western, so bringing them together made sense. Annie Get Your Gun had been a big success for MGM so Warner Bros. decided to get a piece of the action with Calamity Jane (1953 David Butler with Doris Day). Judy Garland was sacked by MGM in 1951, then followed Joan Crawford to Warner Brothers where she staged a big comeback in, fittingly, A Star is Born (1954 George Cukor). Oklahoma (1955 Fred Zinnemann) and Carousel (1956 Henry King) from 20th Century Fox introduced Shirley Jones. And don’t forget Leonard Bernstein’s score for On the Waterfront (1954) that anticipated West Side Story (1961). (See related courses on Fifties Melodrama and Film Noir and 50 Films From the ‘50s: Hollywood’s Last Stand).

Explore cinema's development from its earliest days to the arrival of sound, and view and discuss films such as A Trip to the Moon (1902), Sherlock Jr. (1924) and Sunrise (1927) and many others. We will also consider the contributions of key filmmakers, including the Lumière brothers, Georges Méliès, D W Griffith, Charlie Chaplin, Buster Keaton, Sergei Eisenstein, F W Murnau and Alfred Hitchcock.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

This class introduces you to a range of themes and issues in European cinema, including art cinema, national cinema, movements, 'moments' and new waves, authorship, popular cinema and genre, along with key developments in European film history from the silent era to the present day, key films, directors and the canon of European cinema, and a range of critical accounts of European cinema.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.