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- City Lit at the BFI: Italian Neo-Realism - The cinema of everyday lifeCourse start date: Wed 8 May 2024
Location on this date: BFI Southbank
Tutors: Paul SuttonThe filmmakers associated with Italian Neorealism are celebrated for their commitment to representing post-World War 2 Italy as realistically as possible and their influence has been significant. In this 6-week course, Dr Paul Sutton will examine the richness of this ‘movement’ and consider the reasons for its enduring legacy, while countering some of the myths that have grown up around it on the way.
Please note that this course takes place in The Studio at the BFI Southbank.Full fee £149.00 Senior fee £149.00 Concession £97.00 - Reading images: exploring film studiesCourse start date: Wed 29 May 2024
Location on this date: Keeley Street
Tutors: Cristina MassaccesiThis comprehensive introductory course provides an overview of the main historical, technical and theoretical aspects of filmmaking and film analysis. In its exploration of aspects of film theory as it relates to film aesthetics and film history, the course develops certain ideas with rigour and depth.Full fee £99.00 Senior fee £99.00 Concession £64.00 - Exploring British cinemaCourse start date: Wed 18 Sep 2024
Location on this date: Online
Tutors: Jon WisbeyDefining itself around themes such as realism, class and national identity, British cinema continues to find critical and popular acclaim, both domestically and internationally. This course explores British cinema, past and present, through a range of critical concepts and approaches, films - including both popular and art house - and filmmakers, and considers its function as a national cinema.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £119.00 Senior fee £119.00 Concession £77.00 - Fifties MusicalsCourse start date: Wed 16 Oct 2024
Location on this date: Keeley Street
Tutors: John Wischmeyer“The more beautiful everything is, the more it will hurt without you”—Gene Kelly as An American in Paris (1951) singing to Leslie Caron. Happy endings are hard won in fifties’ musicals and The End is where they were heading. MGM was the studio of musicals in the 1950s. During this decade other studios presented only occasional musicals. The musical was big business for Hollywood in the 1950s and so was the western, so bringing them together made sense. Annie Get Your Gun had been a big success for MGM so Warner Bros. decided to get a piece of the action with Calamity Jane (1953 David Butler with Doris Day). Judy Garland was sacked by MGM in 1951, then followed Joan Crawford to Warner Brothers where she staged a big comeback in, fittingly, A Star is Born (1954 George Cukor). Oklahoma (1955 Fred Zinnemann) and Carousel (1956 Henry King) from 20th Century Fox introduced Shirley Jones. And don’t forget Leonard Bernstein’s score for On the Waterfront (1954) that anticipated West Side Story (1961). (See related courses on Fifties Melodrama and Film Noir and 50 Films From the ‘50s: Hollywood’s Last Stand).Full fee £169.00 Senior fee £135.00 Concession £110.00 - Ways into advanced film studies: film aestheticsCourse start date: Wed 30 Oct 2024
Location on this date: Keeley Street
Tutors: Paul SuttonHave you wondered why a film might have moved you so powerfully or why it looked so stunningly beautiful? Have you wanted to know quite how a film was able to communicate its story to you so effectively? If so, then this advanced level film studies course is for you. It aims to explore in depth the language of cinema, the way in which film connects with its spectators at the level of film form, in other words, film aesthetics. Writers and critics have long asked similar questions, as have filmmakers themselves, and we will follow some of the most celebrated in their quest for answers. We will look briefly at how films are made and at the importance of cinematography, editing, mise en scène and sound, before exploring in depth film’s aesthetic qualities. We will think about the importance of history for the development of film form and we will analyse clips and sequences from individual films so as to better approach and understand film aesthetics.Full fee £119.00 Senior fee £119.00 Concession £77.00 - Cinema before 1930Course start date: Wed 30 Oct 2024
Location on this date: Online
Tutors: Jon WisbeyExplore cinema's development from its earliest days to the arrival of sound, and view and discuss films such as A Trip to the Moon (1902), Sherlock Jr. (1924) and Sunrise (1927) and many others. We will also consider the contributions of key filmmakers, including the Lumière brothers, Georges Méliès, D W Griffith, Charlie Chaplin, Buster Keaton, Sergei Eisenstein, F W Murnau and Alfred Hitchcock.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £119.00 Senior fee £119.00 Concession £77.00 - Exploring European cinemaCourse start date: Wed 24 Apr 2024
Location on this date: Online
Tutors: Jon WisbeyThis class introduces you to a range of themes and issues in European cinema, including art cinema, national cinema, movements, 'moments' and new waves, authorship, popular cinema and genre, along with key developments in European film history from the silent era to the present day, key films, directors and the canon of European cinema, and a range of critical accounts of European cinema.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.
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