Film Studies Courses
Study online & in London
Enjoy a fresh look at big screen classics, ground-breaking titles and cult favourites featuring a cast of iconic names, former stars and the men and women who called the shots.
Check out our blog post on our Ciné-Club, where once a week, for 12 weeks (and throughout the academic year in terms 2 and 3), we will watch and discuss film.
Study in-person, or online from the comfort of home, with classes that allow you to participate in discussions with fellow adult students and share your passion for Film as part of a learning community. We offer daytime, evening and weekend courses, both short and long. Our tutors are experts in their fields and experienced educators. Tutors share their knowledge and passion for Film through presentations, screenings, interactive discussion, analysis, and other activities.
Many students return to take more courses, telling us they enjoy being part of our City Lit literary community. Our popular courses often sell out quickly, so we invite you to browse and book your place now.
- How to read a film: a beginners' guide to cinema
Course start date: Tue 4 Nov 2025 (and 2 other dates)Location on this date: Online
Tutors: Paul SuttonThis online course will develop your critical appreciation of the cinema by teaching you how to read and understand film texts. We will look at the elements that underpin film form – narrative, mise en scène, cinematography, editing and sound – alongside its historical development. We will consider film style by exploring classical, post-classical and art cinema and we will examine influential critical modes of analysis, such as genre, authorship and spectatorship.Full fee £149.00 Senior fee £149.00 Concession £97.00 - Seminal films of the 1960sCourse start date: Tue 3 Jun 2025
Location on this date: Online
Tutors: Mick McAloonThe 1960s saw the emergence of multiple “new waves” of international filmmakers and cinema movements. It wasn’t only the French directors of the “nouvelle vague” – Godard, Truffaut et al - but filmmakers from Britain (Lindsay Anderson), Italy (Pasolini), Africa (Sembène), America (Cassavetes), Poland, India, and Japan, all of whom seized on cheaper, lighter equipment to make vital and vibrant films, and whose subjects were compelling as well as contemporary.Full fee £169.00 Senior fee £169.00 Concession £110.00 - Ways into advanced film studies: film theory Course start date: Tue 3 Jun 2025
Location on this date: Keeley Street
Tutors: Paul SuttonThis advanced level film studies course will introduce you to a range of theoretical approaches to the study of film. It will consider some of the earliest attempts to think about film, studies that borrowed methodologies from other disciplines. As early as 1915, for example, writers were applying psychology to film analysis, exploring the emotional responses of audiences to this still new medium. Early theorists argued for film as a distinct art form, and we will examine a number of their key texts. In the 1960s, film studies began to develop as a specific subject of study in universities in the US and the UK, once again deploying perspectives from other subject areas. We will examine a number of these theories and consider their continued importance for the analysis and understanding of film today. - Cultureplex Ciné-Club: The Films of David CronenbergCourse start date: Tue 16 Sep 2025
Location on this date: Keeley Street
Tutors: Katie GossOver six weeks, this Ciné Club will dive into the singular, unsettling world of David Cronenberg - one of modern cinema’s most provocative and visionary directors.
We will explore Cronenberg’s evolution from early body horror classics to his later psychological thrillers, questioning what his work reveals about human nature and our ever-evolving relationship with the body, technology and culture.
Each session will feature a screening of a key film from his filmography, followed by an in-depth discussion examining its central themes, cinematic techniques, cultural and cinematic impact. From the merging of flesh and technoscientific apparatus, to the themes of obsession and transgression, we will see how Cronenberg’s cinema helps us explore the complexities and obscurities of modern life.
Full fee £239.00 Senior fee £239.00 Concession £155.00 - The Golden Age of Japanese Cinema: Ozu, Kurosawa and MizoguchiCourse start date: Tue 16 Sep 2025
Location on this date: Online
Tutors: Jean-Baptiste de VaulxThis course examines the transformative period of Japanese cinema during its so-called Golden Age (from late 1940s to early 1960s), a time when Japan’s traditional film studio system was at its peak, and several iconic directors, including Akira Kurosawa, Yasujiro Ozu, and Kenji Mizoguchi, were making their most iconic films. We will discuss, analyse, and contextualise several of these directors’ films, as well as look at films by other directors of that period, such as Mikio Naruse and Masaki Kobayashi, and more. We will consider the socio-political and film industry contexts which shaped the films, including the cultural meanings behind the samurai genre, the post-war Occupation of Japan by Allied Forces, and the international impact of Japanese cinema on global filmmaking.Full fee £219.00 Senior fee £219.00 Concession £142.00 - Art history and cinemaCourse start date: Tue 16 Sep 2025
Location on this date: Online
Tutors: Gillian McIverSince cinema's earliest days, literature has provided movies with stories. But there is another way of looking at film: through its relationship with painting, the oldest of the art forms.
We’ll look at paintings by Friedrich, Titian, Hopper, Bacon, Delaroche and many more. We’ll view Red Desert, Pan’s Labyrinth, Easy Rider – looking at realism, surrealism and more.
As you can see, all of these are quite different! Let’s see how movies connect us to art history.Full fee £179.00 Senior fee £179.00 Concession £116.00 - The occult on screen Course start date: Tue 29 Apr 2025
Location on this date: Keeley Street
Tutors: Gillian McIverSurprisingly, not every film that features the occult is a horror film. Certainly, many of them are; we will consider classics such as Haxan from 1922, Rosemary’s Baby, The Craft, Angel Heart, The Witch and Hereditary. Other films, such as Kenneth Anger's Lucifer Rising and A Dark Song, attempt to treat the occult seriously as secret or hidden knowledge. We'll examine the cultural backdrop of occult films and questions of representation, gender relations, and spirituality.Full fee £129.00 Senior fee £129.00 Concession £84.00
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