- An Introduction to Psychoanalysis and FilmCourse start date: Sat 25 Mar 2023
Location on this date: Keeley StreetTutors: Mary WildA guide to contemporary films directed by women, examined through a psychoanalytic lens. An opportunity to discuss the ways in which cinema can continue to evolve to more authentically depict female desire, fears and subjectivity.Full fee £59.00 Senior fee £47.00 Concession £38.00
- Film Studies TasterCourse start date: Sat 25 Mar 2023
Location on this date: OnlineTutors: Jon WisbeyThis taster of forthcoming film courses at City Lit in 2023 offers you the chance to think about which ones to take while also providing an opportunity to explore some of the key areas in film studies more generally.
This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.Full fee £19.00 Senior fee £19.00 Concession £19.00
- Masters of cinema: Agnes VardaCourse start date: Sat 1 Apr 2023
Location on this date: Keeley StreetTutors: Paul Sutton2019 was marked by the death of a true mistress of world cinema, Agne`s Varda. We will introduce you to her oeuvre, from La pointe courte (1955) to her final work, Varda par Agnes (2019), exploring her status as a ‘feminist’ icon. The digital was central to her later career, making her, perhaps, a multi-media artist rather than just a film director.
- Masters of Cinema: Clint Eastwood - Directing the WestCourse start date: Sun 7 May 2023
Location on this date: Keeley StreetTutors: Graham Rinaldi“The Western brought me a certain notoriety” – Clint Eastwood the last of the Western Film Directors. This course will look at Eastwood’s body of work set in the American Wild West from High Plains Drifter to Cry Macho. We will explore his themes, storytelling, influences and techniques in creating a truly American art form.Full fee £59.00 Senior fee £47.00 Concession £38.00
- German Expressionism: From Horror to Film NoirCourse start date: Sat 3 Jun 2023
Location on this date: Keeley StreetTutors: John WischmeyerGerman Expressionism influenced Hollywood horror after itself being influenced by early Swedish Nordic noir. Along with F.W. Murnau and Robert Wiene, Fritz Lang was one of the key figures of German Expressionist cinema. Their influence crossed borders and is alive today in cinema tropes, camera techniques and narrative themes still used by filmmakers, game designers and artists. Their films changed moviemaking forever as directors and set designers created a nightmare environment of unnatural perspectives and distorted images in early films such as Nosferatu (1922 F.W. Murnau), The Cabinet of Dr. Caligari (1919 Robert Weine), and Metropolis (1927 Fritz Lang) which led to Dracula (1931 Tod Browning), Spellbound (1945 Alfred Hitchcock) and Blade Runner (1982 Ridley Scott). American pulp fiction shaded this into film noir in The Killers (1946 Robert Siodmak) and Double Indemnity (1944 Billy Wilder), films created by directors who had fled the land of German Expression. It had come full circle.
- Introduction to Film SpectatorshipCourse start date: Sat 10 Jun 2023
Location on this date: Keeley StreetTutors: Paul SuttonThis course will provide a brief introduction to the history of film spectatorship, tracing its origins in the silent era up to the present day. The course will explore a number of films in detail, includingThe Truman Show (Peter Weir 1998 US), Cinema Paradiso (Giuseppe Tornatore 1998 Italy), The Matrix (Wachowskis 1999 US) and others.Full fee £59.00 Senior fee £47.00 Concession £38.00
- The compulsion to repeat in cinema: From Groundhog Day to MementoCourse start date: Sat 1 Jul 2023
Location on this date: Keeley StreetTutors: Paul SuttonThere are a surprising number of films that make use of repetition as a motif or as a structuring device for their narratives. Two particularly celebrated examples are Groundhog Day (Harold Ramis 1993 US) and Memento (Christopher Nolan 2000 UK/US). This course will explore this phenomenon, by referencing psychoanalytic film theory and the idea of the repetition compulsion, but also through the detailed analysis of both of these films.
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