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- Creative non-fiction: intensiveCourse start date: Wed 23 Oct 2024 (and 3 other dates)
Location on this date: Keeley Street
Tutors: Yvonne SinghThis shorter version of our introductory creative non-writing course explores the core elements of creative non-fiction across genres such as travel writing, the personal essay and life writing.Full fee £149.00 Senior fee £149.00 Concession £75.00 - Philosophy and the problem of evilCourse start date: Wed 2 Oct 2024
Location on this date: Keeley Street
If God exists, and is essentially all-powerful, all-knowing and perfectly good, how could a world which God creates include pain and suffering? This question summarises the so-called ‘problem of evil’ which has preoccupied theistic philosophers for centuries. This course is an introduction to that problem, and to some attempts to solve it.Full fee £119.00 Senior fee £95.00 Concession £77.00 - Africa and the Classics - the role Africa played in shaping the Classical world and our modern understanding of itCourse start date: Wed 2 Oct 2024
Location on this date: Keeley Street
Tutors: Szerdi NagyThis course aims to explore the multifaceted relationship between Africa and the Classical
world, highlighting Africa's significant contributions to the Classical world.Full fee £229.00 Senior fee £183.00 Concession £149.00 - Connecting through collaborative writingCourse start date: Wed 9 Oct 2024
Location on this date: Keeley Street
Tutors: Brian MullinTwo (or more!) heads are better than one! Collaborate with others to create short pieces of theatre, using everyone's skills and ideas to tell collective stories.Full fee £5.00 Senior fee £5.00 Concession £5.00 - Fifties MusicalsCourse start date: Wed 16 Oct 2024
Location on this date: Keeley Street
Tutors: John Wischmeyer“The more beautiful everything is, the more it will hurt without you”—Gene Kelly as An American in Paris (1951) singing to Leslie Caron. Happy endings are hard won in fifties’ musicals and The End is where they were heading. MGM was the studio of musicals in the 1950s. During this decade other studios presented only occasional musicals. The musical was big business for Hollywood in the 1950s and so was the western, so bringing them together made sense. Annie Get Your Gun had been a big success for MGM so Warner Bros. decided to get a piece of the action with Calamity Jane (1953 David Butler with Doris Day). Judy Garland was sacked by MGM in 1951, then followed Joan Crawford to Warner Brothers where she staged a big comeback in, fittingly, A Star is Born (1954 George Cukor). Oklahoma (1955 Fred Zinnemann) and Carousel (1956 Henry King) from 20th Century Fox introduced Shirley Jones. And don’t forget Leonard Bernstein’s score for On the Waterfront (1954) that anticipated West Side Story (1961). (See related courses on Fifties Melodrama and Film Noir and 50 Films From the ‘50s: Hollywood’s Last Stand).Full fee £169.00 Senior fee £135.00 Concession £110.00 - Philosophy and authenticityCourse start date: Wed 30 Oct 2024
Location on this date: Keeley Street
Tutors: John HolroydIs it possible to be true to oneself? And, is this a worthwhile pursuit or a delusion of modernity? This course will explore these questions with the help of five modern philosophers.Full fee £169.00 Senior fee £135.00 Concession £110.00
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