Fiction Literature Courses
Study online & in London

Explore classic texts of 19th century French and Russian literature, discussing literary style, themes, and contexts as a way of developing and sharing responses to celebrated European writing. Among the French writers examined will be Stendhal, Baudelaire, Flaubert and Rimbaud, with our Russians including Pushkin, Lemontov, and Tolstoy.

Who were considered the ‘Best of Young British Novelists’ in 1983, and what became of them? What do their styles and topics reveal about the decade, looking back from 40 years on? Read extracts by all twenty writers plus novels by Pat Barker, Graham Swift and Julian Barnes.

What sells crime novels? Does knowing about the detective's other life make readers appreciate or rate their detective skills more? Why does the figure of the male detective remain so dominant in the genre, especially given that many of the texts are by female authors? We will analyse and the discuss the development of the male detective figure in recent crime fiction, including 'A certain Justice' by P.D. James, 'In the Woods' by Tana French and 'Career of Evil' by Robert Galbraith.

The 2016 referendum result was one of the most significant events in recent British history. How can novels, written in that moment, shed light on the run-up to the vote and its immediate aftermath?



On this course we’ll study three fascinating and powerful novels, by Ali Smith, Anthony Cartwright and Adam Thorpe, exploring their stories and the backdrop they present of Britain’s divisions and connections.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

The short story in Europe has characteristics all of its own. While British, Irish and American stories are rooted in psychological realism, many European writers have tended towards a more philosophical approach, reflecting the concerns of the modern age as experienced by the sensibilities of individual writers. Authors such as Thomas Mann, Franz Kafka and Albert Camus are masters of the kinds of tale which ask profound question about the nature of our existence. They are also supreme stylists capable of sustaining a gripping narrative.

We will discuss questions of memory, history and genre through readings of three fascinating examples of ‘memoir fiction’: Karl Ove Knausgaard’s A Death in the Family, Philip Roth’s The Plot Against America, and Martin Amis’ Inside Story.

What do we want and expect from life stories? On this online literature course we’ll read a selection of fascinating books and extracts, which experiment in different ways to combine stories of personal experience and literary invention. As well as memoirs the course includes ‘autofiction’ – a description for the work of novelists whose material is, explicitly, their own life – and we’ll explore this tricky and sometimes controversial category of writing. We’ll think too about some of the ethical and cultural questions that writing from life can raise, including privacy and a right of reply, and think about factors that may affect a book’s critical reception.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Explore three ground-breaking works of ‘speculative’ prose fiction, each offering a highly innovative examination of C20 American political populism. From bitter satire, unnerving dystopia, to the lightly comic, we’ll see how the texts embody genuine anxieties of authoritarianism in America. Surely,- ‘it can’t happen here’?

The short story has come to be seen as one of Irish Literature’s most celebrated forms of expression. From the early stories of George Moore and James Joyce, to modern classics by John McGahern, William Trevor and Claire Keegan, the short story has allowed Irish writers to pick apart the complexities of Irish society in powerful, precise and poetic terms. This course will explore some of the most iconic short stories of twentieth-century Irish literature.