Explore History, Culture & Writing

We will read and discuss three classic plays: Sophocles’ Antigone, Shakespeare's Measure for Measure and William Wycherley’s The Country Wife. Focusing closely on structure, language and tone, we will consider how dramatists across time have explored themes such as sexual politics, family relationships and state power through their plays, as well as considering the social, cultural and historical contexts in which they were produced.

The 1950s was the beginning of the end for the Hollywood studio era, a golden age in place since the 1920s. The fifties are more difficult to pin down than the 1930/40s due to explosive diversity in both subject matter and cinematic technology, the profound influence of WWII, the development of European neorealism and the first signs of the French New Wave. An emphasis on teen culture emerged, represented by the brief career of James Dean. Film stars became anti-heroes. The moguls who founded Hollywood began to disappear. The studio business model was doomed. Hollywood reacted both defensively and creatively, going for broke—and producing some of the finest and most enduring films in its history, films that transformed the culture, from Sunset Blvd. (1950) to Some Like It Hot (1959)—both by Billy Wilder. From The Asphalt Jungle (1950) to The Misfits (1961)— Marilyn Monroe’s first and final films, both directed by John Huston. From Here To Eternity (1953 Fred Zinnemann) to A Place in the Sun (1951 George Stevens, part of his American trilogy). Fifties’ films reflected a darkening America. (See related courses on Fifties Musicals, Melodrama and Film Noir).

The short story in Europe has characteristics all of its own. While British, Irish and American stories are rooted in psychological realism, many European writers have tended towards a more philosophical approach, reflecting the concerns of the modern age as experienced by the sensibilities of individual writers. Authors such as Thomas Mann, Franz Kafka and Albert Camus are masters of the kinds of tale which ask profound question about the nature of our existence. They are also supreme stylists capable of sustaining a gripping narrative.

Surrealism is one of the great developments of 20th century literature. It’s different from the fantasies of previous centuries (fairy and folk tales, imaginative stories set in remote parts of the world, satires, science fiction) because it expresses complex bizarre experiences that many people recognise as possibly part of themselves. It may reflect desires which are difficult to admit but are sometimes expressed with wit and humour. We explore how surrealism developed from the apparent nonsense of three 19th century English writers.

Join us to read and discuss a selection of novels from the 1950s and 1960, in English and in translation, some of which, like Stan Barstow’s powerful story of upward mobility A Kind of Loving and Ngugi Wa Thiongo’s poignant portrait of unrest in Kenya Weep Not, My Child, have rarely been out of print. Some are recent rediscoveries, such as Han Suyin’s story of forbidden romance in wartime London, Winter Love, and Chingiz Aitmatov’s delicate Kyrgyz fable, Jamilia. Fresh translations of Magda Szabo’s Iza’s Ballad and Tove Ditlevsen’s autobiographical coming of age story,Youth, are also included.



NB. This course will have a break week on Wednesday 29 May.