Explore History, Culture & Writing

Robert Altman served a long apprenticeship in movie-making before his great breakthrough , the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller (1971 revisionist western), The Long Goodbye (1973 revisionist Raymond Chandler), Thieves Like Us (1974 remake of Nicholas Ray’s 1948 They Live By Night), Nashville (1976 completely and absolutely original widescreen mural of America and Hollywood). In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, (2001), underscored his comeback. (See separate but related courses on Once Upon a Time in New Hollywood, Francis Ford Coppola, David Lynch and the Coen brothers).

Shakespeare presents us with two visions of marriage, the Macbeths’ longstanding but filled with passion and rivalry, Othello’s fragile and still largely innocent. Macbeth and his wife know each other only too well – Othello and Desdemona barely at all. We the audience become sucked into these marital dramas through the force of Shakespeare’s dazzling imagery, psychological insight and sensational plotting. We’ll be studying the characters, the poetry and the ideas of both plays in detail.

Come on a walking tour of public art through the City of London created by Refugees and Immigrants. We will explore artworks such as the 17th century carvings on the Monument and a Victorian plaques relocated on to the post Modern Number One Poultry by economic immigrants to the country as well as looking at mainly works by 20th century artists from refugee backgrounds who were either commissioned to make art works for site specific places or their works have been bought or moved to their locations.

Mythical beasts, fruity swags, strange shell forms, odd expressions, the bizarre dream and fantasy subject matter – there is more to Renaissance art than meets the eye. Come and discover the strange work of Paolo Uccello, Carlo Crivelli, Piero di Cosimo, Ercole de’Roberti, Dosso Dossi, Cosmè Tura and Francesco del Cossa.

This course focuses on Flemish and Dutch (Netherlandish) art of the late sixteenth and seventeenth centuries. The course will examine well-known artists such as Peter Paul Rubens, Anthony van Dyck, Rembrandt and Vermeer, as well as the role of artworks and visual images in the formation of religious, class, gender and national identities, in early science, and in cultures of collecting.

It is generally accepted that medieval illuminated manuscripts are very beautiful things. Something to do with all that gold-leaf maybe. While we cannot hold them in class, close-up digital reproduction will allow us to see if they really are as beautiful as we are told. Indeed, are none of them ugly? Join this course to find out.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.