Explore History, Culture & Writing

This course will introduce you to the cinema of Japan, one of the world’s most important national cinemas. It will introduce you to films by major Japanese directors, such as Kurosawa, Ozu, Mizoguchi and Kitano. It will also explore the aesthetics of these films, situating them within their broader historical, cultural, critical and industrial contexts. It will also look at the functioning of genre and the peculiarities of the star system within Japanese filmmaking.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

We will discuss questions of memory, history and genre through readings of three fascinating examples of ‘memoir fiction’: Karl Ove Knausgaard’s A Death in the Family, Philip Roth’s The Plot Against America, and Martin Amis’ Inside Story.

What do we want and expect from life stories? On this online literature course we’ll read a selection of fascinating books and extracts, which experiment in different ways to combine stories of personal experience and literary invention. As well as memoirs the course includes ‘autofiction’ – a description for the work of novelists whose material is, explicitly, their own life – and we’ll explore this tricky and sometimes controversial category of writing. We’ll think too about some of the ethical and cultural questions that writing from life can raise, including privacy and a right of reply, and think about factors that may affect a book’s critical reception.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Explore three ground-breaking works of ‘speculative’ prose fiction, each offering a highly innovative examination of C20 American political populism. From bitter satire, unnerving dystopia, to the lightly comic, we’ll see how the texts embody genuine anxieties of authoritarianism in America. Surely,- ‘it can’t happen here’?

Take a fresh look at Shakespeare, exploring selected plays in the company of an experienced theatre director. With performance in mind, we will examine the language and themes of two plays and discuss the extraordinary variety to be found within Shakespeare’s work.

Come and join us at the Cultureplex Ciné-Club 2, where once a week, for 12 weeks (and throughout the academic year), we will watch and discuss film. Taking its cue from the famous Parisian ciné-club set up by the celebrated critic and writer, André Bazin, ‘the single thinker most responsible for bestowing on cinema the prestige both of an artform and of an object of knowledge’, and the man who foresaw the emergence of film studies as a legitimate discipline of academic study, our contemporary incarnation of the film club will offer a curated series of films for detailed study, discussion and debate. Each film will be introduced, placed in both its cinematic, cultural and historic context. In sharing our viewing in City Lit’s premier screening room, the Cultureplex, we will approximate the experience of watching film in the cinema, one that is intense and fully focussed in a way that other modes of viewing often are not. After the screening we will devote the rest of the class to a collective exploration of the film, led by the tutor, but involving everyone in a participatory discussion that will allow all to express their responses, their views, their thoughts on the film screened.







Please note that this course will screen a new and different set of films to HF211 Cultureplex Ciné-Club, which will run with the same films screened last year. If you took the Cultureplex Ciné-Club course last year (2022-23), please ensure that you take the Cultureplex Ciné-Club 2 courses this year.

This class explores the wonderful world of 19th century American literature, reading classic texts to broaden knowledge of literary history through a range of influential novels, stories, and poems. Among the writers considered in their literary, political, and cultural contexts will be Frederick Douglass, Walt Whitman, Emily Dickinson, Herman Melville, and Mark Twain.

The Canterbury Tales is Chaucer’s most popular work and one of the most famous examples of Medieval literature. This course selects some of Chaucer’s most carefully crafted representations of individuals and explores the society they come from. We will enjoy intricate plots, comedy and poignant moments with these loveable and unforgettable characters! Students will be carefully guided through the texts to a fuller appreciation of Middle English verse narrative and Chaucer’s witty and energetic composition.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.