Summer courses in humanities

Are we living in an age of vibes? Have recent political events such as the re-election of Donald Trump or Brexit occurred because of a “vibeshift” in popular discourse? This course analyses the use of this popular term across a range of media and texts in a quest to grasp what it denotes, why it is being mobilised right now and where we can find its roots in the history of ideas.

Catherine Berger holds a PhD in the History of Art from University College London, where she also taught for many years. She has worked as a tutor at the University of Basel and as a researcher at the University of Zurich and taught in various other institutions, including adult education and a secondary school. She has worked as an editor, written for publications and regularly translates essays and book chapters in her areas of expertise. The analysis of the relationship of cultural production to its social conditions is at the core of her work. Her interests and methods reach across disciplinary boundaries, interweaving visual culture with philosophy, sociology, political and economic theory, linguistics, literature, musicology and psychology, often with a focus on feminism, gender and theories of the maternal. A passionate teacher, Catherine works hard to create inclusive, supportive, student-centred learning environments.

This course will look, decade by decade, at the leading figures of the generation caught up in the turmoil of the Revolution whose lives and poetry together form a veritable seismograph of the unfolding tragedy. Their extraordinary interrelationships and the originality and power of their writing constitute one of the richest periods in the history of Russian Literature.

Discover the development of the British Landscape tradition from the 18th and 19th centuries. The Victoria and Albert Museum has the largest collection of John Constable sketches in the world, and we will discuss the works on display in detail and compare with works by J.W.M Turner and other artists on display.

What happens when word becomes image? From Chinese calligraphy to the prints of Francisco Goya, the graffitied phrases of Jean-Michel Basquiat and truisms of Jenny Holzer, this short course explores how to read text as image. We'll explore how we might read differently in the context of an artwork and how to approach artworks that rely on text as part of their visual composition.

Explore the arts of imperial China spanning across 13 dynasties and 2000 years. Study how painting, sculpture, and architecture were deeply shaped by its richly diverse culture, philosophy, and religion.

Explore the work of Van Eyck in relation to Holman Hunt and the Pre-Raphaelites more generally; consider how this 15th century painter influenced artists some 300 years later.

Black London is shifting and ever-evolving. This course explores how Costa award winning Caleb Nelson’s novel ‘Open Water’ and the great 1950’s classic of immigrant fiction, Sam Selvon’s ‘The Lonely Londoners’ reimagined our multicultural metropolis.

The experience of living in Berlin in the early 1930s had a transformative effect on the life and work of Christopher Isherwood. In this course, we will discuss Isherwood’s masterpiece, Goodbye to Berlin (1939), and his autobiography Christopher and His Kind (1976), which reveals the real people behind the characters of Sally Bowles and Otto Nowak, and shines a light on the queer culture of Berlin Isherwood was unable to write about in the 1930s.

This online course offers an introduction to the concept of the 21st century British dramatist as a social observer, enabling a deeper understanding of how playwrights can illuminate and comment on social issues. Join us to find out how playwrights Polly Stenham, Jez Butterworth and Phillip Ralph have interrogated a variety of societal ills including a miscarriage of justice, dependency issues, class and the façade of contentment amongst the upwardly mobile.

In July 2025 a major solo exhibition of Emily Kam Kngwarray, considered to be one of Australia’s greatest artists, will be held at Tate Modern. This course aims to introduce British audiences to the oeuvre of this remarkable artist.

Ranging from sixteenth century love sonnets via bawdy Restoration verse to a Victorian eroticised poetic narrative, this course examines how the language of love and desire, and the poetic representations of gendered bodies, provide an idiom that can be used to express both conservative and more subversive cultural ideas.

An introduction to the art of Louise Bourgeois, its feminism, both erotic and abject. We explore Bourgeois as a sculptor, printmaker and performance artist, looking at how she was influenced by psychology and biography.