Summer courses in humanities

Come and revel in the sheer variety and possibility of poetic form, as we consider how form might shape what a writer has to say and how they say it. This course will allow you to explore the many shapes that a poem can take.

The 1960s saw the emergence of multiple “new waves” of international filmmakers and cinema movements. It wasn’t only the French directors of the “nouvelle vague” – Godard, Truffaut et al - but filmmakers from Britain (Lindsay Anderson), Italy (Pasolini), Africa (Sembène), America (Cassavetes), Poland, India, and Japan, all of whom seized on cheaper, lighter equipment to make vital and vibrant films, and whose subjects were compelling as well as contemporary.

Explore the extraordinarily diverse world of writing about motherhood, looking at literary texts that have firmly rebuked any notions of motherhood as ‘merely’ domestic, and have instead made it the subject of serious literary writing, have explored major themes such as the body, trauma, gender, queerness, race and creativity, and have written diverse truths about the realities of motherhood. Writers include Toni Morrison, Adrienne Rich and Rachel Cusk, Maggie Nelson and Ayò¿bámi Adébáyò¿.

Explore the role of critical theory within the field of art history, and learn new ways of thinking about art by focusing on feminism, post-colonial theory and the notion of the death of the author.

This course focuses on Flemish and Dutch (Netherlandish) art of the late sixteenth and seventeenth centuries. The course will examine well-known artists such as Peter Paul Rubens, Anthony van Dyck, Rembrandt and Vermeer, as well as the role of artworks and visual images in the formation of religious, class, gender and national identities, in early science, and in cultures of collecting.

This class introduces you to a range of themes and issues in European cinema, including art cinema, national cinema, movements and new waves, authorship, popular cinema and genre, along with key developments in European film history. We will also be thinking about key films and filmmakers, the canon of European cinema and its cultural status, and a range of critical accounts of European cinema.

Since the inception of film, the medium has been borrowing from literature, transforming novels, plays and poems into audio-visual experiences with varying degrees of success. Through a range of classic films, we will examine the techniques and practices available to filmmakers in the adaptation process, as well as the challenges of translating a story or concept from one form to another.