We explore iconic tales of Hollywood in the 1930s, 60s and 70s with narrators that disrupt, transgress and tell us stories.
Explore the challenges of close reading and critical thinking through a study of The Day of the Locust by Nathanael West, Play it as it Lays by Joan Didion and Slow Days, Fast Company: The World, The Flesh and L.A. by Eve Babitz.
Learning modes and locations may be different depending on the course start date. Please check the location of your chosen course and read our guide to learning modes and locations to help you choose the right course for you.
Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Centre for more information on a range of topics including fees, online learning and FAQs.
This in-person literature course encourages you to develop your close reading and analytical skills through the study of three iconic texts that dissect American culture through the lens of Hollywood in the 1930s, 60s and 70s.
'Hollywood is ugly, dangerous - and completely magical.' - David Thomson
The Day of the Locust (1939) has been compared to T.S. Eliot's The Wasteland, saying it is 'equally hallucinatory and probably more pessimistic, as well as more comic.' ( Earl Rovit, Reference Guide to American Literature) Nathanael West wrote about the tension between disillusionment and romance and how the characters, including a painter, a bookkeeper, a cowboy, an untalented actress and a dwarf, recognise the absurdity of everyday life.
Play it as it Lays (1970) is Joan Didion's fictional counterpart to her essays of the 60s, notably Slouching Towards Bethlehem and The White Album. The settings are places beyond good and evil - Hollywood, Las Vegas and the Mojave Desert, where Maria's existential existence is rootless - she just wants her daughter back.
Slow Days, Fast Company (1974/1977) evokes a Southern California of movie stars, socialites, suburbanites, grape pickers of the Central Valley, artists and writers of the 60s and 70s, an era of excess, of living in the moment. Eve Babitz '...achieved that American ideal: art that stays loose, maintains its cool, is purely enjoyable enough to be mistaken for simple entertainment. It's a tradition that includes Duke Ellington, Fred Astaire, Preston Sturges, Ed Ruscha, and, it goes without saying, Marilyn Monroe.' (Lili Anolik, Vanity Fair)
What will we cover?
Weeks 1 & 2 - The Day of the Locust by Nathanael West
Weeks 2 & 3: Play it as it Lays by Joan Didion
Weeks 5 & 6: Slow Days, Fast Company: The World, The Flesh, and L.A.
What will I achieve? By the end of this course you should be able to...
-Recognise the social, historical and cultural framework for each text -Develop close reading skills to explore literary techniques in the works -Develop understanding of narrative structure and character development
What level is the course and do I need any particular skills?
This is a course for people who have previously done some literary or relevant study in humanities and are interested in further developing their literary skills of analysis. You will be interested in exploring and discussing the texts, with a willingness to join into discussion and consider the views of others.
How will I be taught, and will there be any work outside the class?
There will be short introductory lectures, small group and whole group discussion. Readings will be set for each week in preparation for that week's class, with contextual information and questions to guide your reading.
Are there any other costs? Is there anything I need to bring?
Please buy or borrow copies of:
The Day of the Locust by Nathanael West - Penguin: 2000 or Vintage Classics: 2012 (the tutor will be using the Penguin edition)
Play it as it Lays by Joan Didion - Fourth Estate: 2011
Slow Days, Fast Company: The World, The Flesh and L.A. by Eve Babitz - New York Review of Books: 2016
The tutor will provide secondary materials.
When I've finished, what course can I do next?
The same tutor will be teaching HLT412 Summer Reading Group: essays and memoirs of Women (3 sessions) and HLT387 Women with a View: writers of the mid-century (4 weeks)
Look for other Fiction courses in our Literature programme at https://www.citylit.ac.uk under History, Culture and Humanities.
Patricia Sweeney is Programme Coordinator for Literature at City Lit. She has been working in the university and adult education sectors for over 20 years, with specialist teaching interests in American cultural studies, modern and contemporary British and American fiction, drama and film adaptation. In addition to her work at City Lit, Patricia has taught Literature courses for the Open University, Literature, Drama and Film courses for Birkbeck, University of London and contributed to MA and PGCE courses at the Institute of Education, University College London.
Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.
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https://www.citylit.ac.uk/ways-into-advanced-literature-disruptors-transgressors-and-storytellers343280Ways into Advanced Literature: disruptors, transgressors and storytellershttps://www.citylit.ac.uk/media/catalog/category/autobiography-into-poetry-hw640-1024.jpg169169GBPInStock/Courses/Courses/Culture, history & humanities/Courses/Culture, history & humanities/Literature/Courses/Culture, history & humanities/Literature/Advanced literary study/Courses/Culture, history & humanities/Advanced Humanities courses22851177118713368137411228511771187<p>We explore iconic tales of Hollywood in the 1930s, 60s and 70s with narrators that disrupt, transgress and tell us stories. </p><p>Explore the challenges of close reading and critical thinking through a study of <em>The Day of the Locust </em>by Nathanael West, <em>Play it as it Lays </em>by Joan Didion and <em>Slow Days, Fast Company: The World, The Flesh and L.A. </em>by Eve Babitz.</p>153085231Ways into Advanced Literature: disruptors, transgressors and storytellers169169https://www.citylit.ac.uk/media/catalog/category/autobiography-into-poetry-hw640-1024.jpgInStockEveningWedKeeley StreetAvailable courses5-10 weeksWeekday2027-06-02T00:00:00+00:00Some experienceJun 2027Culture, history & humanitiesHLT278169169Ways into Advanced Literature: disruptors, transgressors and storytellers169110169Patricia Sweeneyways-into-advanced-literature-disruptors-transgressors-and-storytellers/hlt278-2627<p>We explore iconic tales of Hollywood in the 1930s, 60s and 70s with narrators that disrupt, transgress and tell us stories. </p><p>Explore the challenges of close reading and critical thinking through a study of <em>The Day of the Locust </em>by Nathanael West, <em>Play it as it Lays </em>by Joan Didion and <em>Slow Days, Fast Company: The World, The Flesh and L.A. </em>by Eve Babitz.</p>0000-Available|2027-06-02 00:00:00<p>This in-person literature course encourages you to develop your close reading and analytical skills through the study of three iconic texts that dissect American culture through the lens of Hollywood in the 1930s, 60s and 70s.</p><p>'Hollywood is ugly, dangerous - and completely magical.' - David Thomson</p><p><em>The Day of the Locust (1939) </em>has been compared to T.S. Eliot's <em>The Wasteland, </em>saying it is 'equally hallucinatory and probably more pessimistic, as well as more comic.' ( Earl Rovit, <em>Reference Guide to American Literature) </em>Nathanael West wrote about the tension between disillusionment and romance and how the characters, including a painter, a bookkeeper, a cowboy, an untalented actress and a dwarf, recognise the absurdity of everyday life. </p><p><em>Play it as it Lays </em>(1970) is Joan Didion's fictional counterpart to her essays of the 60s, notably <em>Slouching Towards Bethlehem</em> and <em>The White Album</em>. The settings are places beyond good and evil - Hollywood, Las Vegas and the Mojave Desert, where Maria's existential existence is rootless - she just wants her daughter back. </p><p><em>Slow Days, Fast Company</em> (1974/1977) evokes a Southern California of movie stars, socialites, suburbanites, grape pickers of the Central Valley, artists and writers of the 60s and 70s, an era of excess, of living in the moment. Eve Babitz '...achieved that American ideal: art that stays loose, maintains its cool, is purely enjoyable enough to be mistaken for simple entertainment. It's a tradition that includes Duke Ellington, Fred Astaire, Preston Sturges, Ed Ruscha, and, it goes without saying, Marilyn Monroe.' (Lili Anolik, <em>Vanity Fair)</em></p><p> </p><p>We explore iconic tales of Hollywood in the 1930s, 60s and 70s with narrators that disrupt, transgress and tell us stories. </p><p>Explore the challenges of close reading and critical thinking through a study of <em>The Day of the Locust </em>by Nathanael West, <em>Play it as it Lays </em>by Joan Didion and <em>Slow Days, Fast Company: The World, The Flesh and L.A. </em>by Eve Babitz.</p><p>Weeks 1 & 2 - <em>The Day of the Locust </em>by Nathanael West</p><p>Weeks 2 & 3: <em>Play it as it Lays </em>by Joan Didion</p><p>Weeks 5 & 6: <em>Slow Days, Fast Company: The World, The Flesh, and L.A.</em></p><p>-Recognise the social, historical and cultural framework for each text<br>-Develop close reading skills to explore literary techniques in the works<br>-Develop understanding of narrative structure and character development <br> </p>This is a course for people who have previously done some literary or relevant study in humanities and are interested in further developing their literary skills of analysis. You will be interested in exploring and discussing the texts, with a willingness to join into discussion and consider the views of others.There will be short introductory lectures, small group and whole group discussion. Readings will be set for each week in preparation for that week's class, with contextual information and questions to guide your reading.<p>Please buy or borrow copies of:</p><p><em>The Day of the Locust </em>by Nathanael West - Penguin: 2000 or Vintage Classics: 2012 (the tutor will be using the Penguin edition)</p><p><em>Play it as it Lays </em>by Joan Didion - Fourth Estate: 2011</p><p><em>Slow Days, Fast Company: The World, The Flesh and L.A. </em>by Eve Babitz - New York Review of Books: 2016</p><p><br>The tutor will provide secondary materials.</p><p>The same tutor will be teaching HLT412 Summer Reading Group: essays and memoirs of Women (3 sessions) and HLT387 Women with a View: writers of the mid-century (4 weeks)</p><p>Look for other Fiction courses in our Literature programme at https://www.citylit.ac.uk under History, Culture and Humanities.</p>LiteratureAdvanced literary studyvirtual169169110HLT278NONEWed02/06/27 - 07/07/2718:00 - 19:4518:0019:456 sessions (over 6 weeks)65-10 weeksEveningWeekdayKSKeeley StreetPatricia SweeneySome experienceAvailable courses2027-06-02T00:00:00+00:00Jun 2027Culture, history & humanities169169Ways into Advanced Literature: disruptors, transgressors and storytellersways-into-advanced-literature-disruptors-transgressors-and-storytellers/hlt278-2627<p>We explore iconic tales of Hollywood in the 1930s, 60s and 70s with narrators that disrupt, transgress and tell us stories. </p><p>Explore the challenges of close reading and critical thinking through a study of <em>The Day of the Locust </em>by Nathanael West, <em>Play it as it Lays </em>by Joan Didion and <em>Slow Days, Fast Company: The World, The Flesh and L.A. </em>by Eve Babitz.</p>0000-Available|2027-06-02 00:00:00<p>This in-person literature course encourages you to develop your close reading and analytical skills through the study of three iconic texts that dissect American culture through the lens of Hollywood in the 1930s, 60s and 70s.</p><p>'Hollywood is ugly, dangerous - and completely magical.' - David Thomson</p><p><em>The Day of the Locust (1939) </em>has been compared to T.S. Eliot's <em>The Wasteland, </em>saying it is 'equally hallucinatory and probably more pessimistic, as well as more comic.' ( Earl Rovit, <em>Reference Guide to American Literature) </em>Nathanael West wrote about the tension between disillusionment and romance and how the characters, including a painter, a bookkeeper, a cowboy, an untalented actress and a dwarf, recognise the absurdity of everyday life. </p><p><em>Play it as it Lays </em>(1970) is Joan Didion's fictional counterpart to her essays of the 60s, notably <em>Slouching Towards Bethlehem</em> and <em>The White Album</em>. The settings are places beyond good and evil - Hollywood, Las Vegas and the Mojave Desert, where Maria's existential existence is rootless - she just wants her daughter back. </p><p><em>Slow Days, Fast Company</em> (1974/1977) evokes a Southern California of movie stars, socialites, suburbanites, grape pickers of the Central Valley, artists and writers of the 60s and 70s, an era of excess, of living in the moment. Eve Babitz '...achieved that American ideal: art that stays loose, maintains its cool, is purely enjoyable enough to be mistaken for simple entertainment. It's a tradition that includes Duke Ellington, Fred Astaire, Preston Sturges, Ed Ruscha, and, it goes without saying, Marilyn Monroe.' (Lili Anolik, <em>Vanity Fair)</em></p><p> </p><p>We explore iconic tales of Hollywood in the 1930s, 60s and 70s with narrators that disrupt, transgress and tell us stories. </p><p>Explore the challenges of close reading and critical thinking through a study of <em>The Day of the Locust </em>by Nathanael West, <em>Play it as it Lays </em>by Joan Didion and <em>Slow Days, Fast Company: The World, The Flesh and L.A. </em>by Eve Babitz.</p><p>Weeks 1 &amp; 2 - <em>The Day of the Locust </em>by Nathanael West</p><p>Weeks 2 &amp; 3: <em>Play it as it Lays </em>by Joan Didion</p><p>Weeks 5 &amp; 6: <em>Slow Days, Fast Company: The World, The Flesh, and L.A.</em></p><p>-Recognise the social, historical and cultural framework for each text<br>-Develop close reading skills to explore literary techniques in the works<br>-Develop understanding of narrative structure and character development <br> </p>This is a course for people who have previously done some literary or relevant study in humanities and are interested in further developing their literary skills of analysis. You will be interested in exploring and discussing the texts, with a willingness to join into discussion and consider the views of others.There will be short introductory lectures, small group and whole group discussion. Readings will be set for each week in preparation for that week's class, with contextual information and questions to guide your reading.<p>Please buy or borrow copies of:</p><p><em>The Day of the Locust </em>by Nathanael West - Penguin: 2000 or Vintage Classics: 2012 (the tutor will be using the Penguin edition)</p><p><em>Play it as it Lays </em>by Joan Didion - Fourth Estate: 2011</p><p><em>Slow Days, Fast Company: The World, The Flesh and L.A. </em>by Eve Babitz - New York Review of Books: 2016</p><p><br>The tutor will provide secondary materials.</p><p>The same tutor will be teaching HLT412 Summer Reading Group: essays and memoirs of Women (3 sessions) and HLT387 Women with a View: writers of the mid-century (4 weeks)</p><p>Look for other Fiction courses in our Literature programme at https://www.citylit.ac.uk under History, Culture and Humanities.</p>LiteratureAdvanced literary studyconfigurable
133681187Advanced literary studyhttps://www.citylit.ac.uk/courses/humanities/literature/advanced-literary-study1/2/285/1177/1187/133681/Courses/Culture, history & humanities/Literature/Advanced literary study