Writing Courses & Workshops Online & in London

What do we know? How do we know it? What are the limits of knowledge? Join this course to explore the area of Kant’s philosophy which focuses on his theory of knowledge.

Have you wondered why a film might have moved you so powerfully or why it looked so stunningly beautiful? Have you wanted to know quite how a film was able to communicate its story to you so effectively? If so, then this advanced level film studies course is for you. It aims to explore in depth the language of cinema, the way in which film connects with its spectators at the level of film form, in other words, film aesthetics. Writers and critics have long asked similar questions, as have filmmakers themselves, and we will follow some of the most celebrated in their quest for answers. We will look briefly at how films are made and at the importance of cinematography, editing, mise en scène and sound, before exploring in depth film’s aesthetic qualities. We will think about the importance of history for the development of film form and we will analyse clips and sequences from individual films so as to better approach and understand film aesthetics.

This is an intermediate to advanced German language course for lovers of German history.

This course will introduce and discuss two novels by eminent author, Muriel Spark- Memento Mori (1959) and The Ballad of Peckham Rye (1960). Her writing wilfully upends notions of conformity and acts as a disrupter to accepted conventions. Instead, ‘Spark beckons us to encounter the stranger’ (Marilyn Reizbaum). Playfully disrupting passive readers and stretching comfort zones, Spark’s work provides a space to access unaccustomed outlooks that make us rethink our relationship with ourselves, others, and the world. Instead of unconsciously going with the flow, she awakens us to life’s stranger things.

Explore the astonishing range of poetic responses to a hundred years of warfare, acts of witnessing, endurance, defiance and condemnation by writers across the globe: Sassoon and Wilfred Owen in Britain, Brecht, Milosz, Celan, Akhmatova and Stepanova in Europe and Russia, Darwish and Zhadan in the Middle East and Ukraine, and many others. How do they describe the indescribable? High art or doggerel, what does it matter once the bombs start to fall?

Join us to explore two of Shakespeare’s greatest plays, his tragedy King Lear, and his late ‘romance’, The Tempest. We’ll consider the connections – and differences - between these works, thinking about Shakespeare’s use of genre and language, the historical contexts, changing critical perspectives, and aspects of the plays in performance.

Are you curious about reading contemporary global literature? Would you like to understand what we mean by the ‘global novel’, reading across cultures and national borders? This in-college course will introduce you to the study of global literature through reading three brilliant 21st century global novels: Mohsin Hamid’s Exit West, Rana Dasgupta’s Tokyo Cancelled and Julie Otsuka’s Buddha in the Attic.