Writing Courses & Workshops Online & in London

This class explores the wonderful world of 19th century American literature, reading classic texts to broaden knowledge of literary history through a range of influential novels, stories, and poems. Among the writers considered in their literary, political, and cultural contexts will be Edgar Allan Poe, Nathaniel Hawthorne, Walt Whitman, Emily Dickinson, Herman Melville, Mark Twain and Kate Chopin.

Passion, marriage, crime, class, and murder: these are just some of the key issues at play in the three exhilarating French novels we will discuss in this online course. Focusing on George Sand’s Indiana (1832), Balzac’s Père Goriot (1835) and Zola’s Thérèse Raquin (1868), we’ll explore French literary style and the influence of serialisation on sensation fiction and these author’s depictions of social class, romance, and realism.

This online literature course explores representations of solitude in recent fiction and memoir. Reading twentieth- and twenty-first-century texts, we’ll consider experiences of solitude across rural and urban settings, from remote islands to crowded cities. How is solitude shaped by places, culture, gender, age and technology?

This course will introduce and discuss the fiction of renowned author, Angela Carter, specifically focusing upon one novel and one short story. Carter wanted her writing to ‘demythologise the fictions that regulate our lives’, to explore how society narrates us into being and holds us there. In doing so, she offers us a chance to read and, ultimately, release ourselves through her work, as we come to understand the relationship between fiction and reality. For Carter, both of these – fiction and reality – are two sides of the same coin.

From Roman society to the present day, from the memoirs of Equiano to the experimental poetics of Kwesi Johnson, Black British writers have significantly impacted British literature, despite limited recognition.



Through an exploration of social, political and historical contexts, this course examines how diasporic writers decolonised genres and mapped their own metaphors onto the literary landscape.

Why have so many British authors set stories in and around an important house? How does the structure, history and atmosphere of a great house affect plot and narrative? And where do authors derive their inspiration to build fictional houses that capture readers’ imaginations so fully? The novels on this course all focus on one finely imagined house and demonstrate the author’s own personal concerns of the time.

This course will introduce and discuss two novels by eminent author, Muriel Spark- Memento Mori (1959) and The Ballad of Peckham Rye (1960). Her writing wilfully upends notions of conformity and acts as a disrupter to accepted conventions. Instead, ‘Spark beckons us to encounter the stranger’ (Marilyn Reizbaum). Playfully disrupting passive readers and stretching comfort zones, Spark’s work provides a space to access unaccustomed outlooks that make us rethink our relationship with ourselves, others, and the world. Instead of unconsciously going with the flow, she awakens us to life’s stranger things.

Are you curious about reading contemporary global literature? Would you like to understand what we mean by the ‘global novel’, reading across cultures and national borders? This in-college course will introduce you to the study of global literature through reading three brilliant 21st century global novels: Mohsin Hamid’s Exit West, Rana Dasgupta’s Tokyo Cancelled and Julie Otsuka’s Buddha in the Attic.

This class explores classic texts of 19th century French and Russian literature, discussing literary style, themes, and contexts as a way of developing and sharing responses to celebrated European writing. Among the French writers examined will be Balzac, Baudelaire, Flaubert and Rimbaud, with our Russians including Gogol, Dostoevsky, and Chekhov.

Martin Amis, Julian Barnes, Ian McEwan and Kazuo Ishiguro are household names of contemporary British fiction. But how did their careers begin in the 1970s and 1980s? And how do their early efforts stand up today?

A selection of novels from 1960 to 1980, including Heinrich Boll's powerful psychological fiction, The Lost Honour of Katharina Blum; two works of speculative fiction, Marlen Haushofer's The Wall and Kay Dick's They; Latifa Zayyat's bildungsroman, The Open Door; and Mariama Ba's powerful exploration of mourning, So Long a Letter.

The short story has come to be seen as one of Irish Literature’s most celebrated forms of expression. From the early stories of George Moore and James Joyce, to modern classics by John McGahern, William Trevor and Claire Keegan, the short story has allowed Irish writers to pick apart the complexities of Irish society in powerful, precise and poetic terms. This course will explore some of the most iconic short stories of twentieth-century Irish literature.

Explore and discover extraordinary short stories from renowned women writers of the 1940s and 50s, which present an insight into a time of great change in Britain, when domestic situations were rewritten, social customs challenged and new freedoms embraced. Authors include Elizabeth Bowen, Elizabeth Jane Howard, Penelope Mortimer, Elizabeth Taylor and Daphne du Maurier.