Writing Courses & Workshops Online & in London

What is a short story? Come and discuss its characteristics, its length, design, mood and style. What distinguishes it from other kinds of short narrative? We’ll compare short stories to other forms, such as myths, legends, anecdotes, fabliaux, parables, fables, and ‘tales’. We’ll look at some of the greatest practitioners including Edgar Allan Poe, Katherine Mansfield, and O’ Henry.

The katabasis or journey into the underworld is a standard element of many classical texts. This course explores what this journey and the return to the world above means in a selection of Greek and Roman texts with examples taken from mythological poetry, epic, and Athenian drama. We will also look at how later writers (Joseph Conrad, Margaret Atwood, Elena Ferrante) adopt and adapt this trope using it to explore colonialism, feminism and motherhood.

Why have so many British authors set stories in and around an important house? How does the structure, history and atmosphere of a great house affect plot and narrative? And where do authors derive their inspiration to build fictional houses that capture readers’ imaginations so fully? The novels on this course all focus on one finely imagined house and demonstrate the author’s own personal concerns of the time.

This course will introduce and discuss two novels by eminent author, Muriel Spark- Memento Mori (1959) and The Ballad of Peckham Rye (1960). Her writing wilfully upends notions of conformity and acts as a disrupter to accepted conventions. Instead, ‘Spark beckons us to encounter the stranger’ (Marilyn Reizbaum). Playfully disrupting passive readers and stretching comfort zones, Spark’s work provides a space to access unaccustomed outlooks that make us rethink our relationship with ourselves, others, and the world. Instead of unconsciously going with the flow, she awakens us to life’s stranger things.

Are you curious about reading contemporary global literature? Would you like to understand what we mean by the ‘global novel’, reading across cultures and national borders? This in-college course will introduce you to the study of global literature through reading three brilliant 21st century global novels: Mohsin Hamid’s Exit West, Rana Dasgupta’s Tokyo Cancelled and Julie Otsuka’s Buddha in the Attic.

We will explore various themes related to ‘insanity’ and altered states of consciousness by examining a number of 19th-century works of fiction. Novelists and poets often had the greatest insights into the workings of the mind, and many Victorian psychiatrists cited works of fiction in their case studies. Among the authors we will cover are Charlotte Bronte, Edgar Allan Poe, Wilkie Collins, Gogol, Herman Melville and Charlotte Perkins Gilman.

This class explores classic texts of 19th century French and Russian literature, discussing literary style, themes, and contexts as a way of developing and sharing responses to celebrated European writing. Among the French writers examined will be Balzac, Baudelaire, Flaubert and Rimbaud, with our Russians including Gogol, Dostoevsky, and Chekhov.

Martin Amis, Julian Barnes, Ian McEwan and Kazuo Ishiguro are household names of contemporary British fiction. But how did their careers begin in the 1970s and 1980s? And how do their early efforts stand up today?

A selection of novels from 1960 to 1980, including Heinrich Boll's powerful psychological fiction, The Lost Honour of Katharina Blum; two works of speculative fiction, Marlen Haushofer's The Wall and Kay Dick's They; Latifa Zayyat's bildungsroman, The Open Door; and Mariama Ba's powerful exploration of mourning, So Long a Letter.

It was that great literary voyager Robert Louis Stevenson who said “It is better to travel hopefully than to arrive”. Whether it's to the sound of train wheels, hoofbeats, car tyres or marching feet, and not knowing where day’s end will find you, there is an exhilaration in being on the open road. And the twentieth century saw a host of stirring accounts of journeys made in search of a special kind of freedom. Some of them have become literary classics.

The short story has come to be seen as one of Irish Literature’s most celebrated forms of expression. From the early stories of George Moore and James Joyce, to modern classics by John McGahern, William Trevor and Claire Keegan, the short story has allowed Irish writers to pick apart the complexities of Irish society in powerful, precise and poetic terms. This course will explore some of the most iconic short stories of twentieth-century Irish literature.

Explore and discover extraordinary short stories from renowned women writers of the 1940s and 50s, which present an insight into a time of great change in Britain, when domestic situations were rewritten, social customs challenged and new freedoms embraced. Authors include Elizabeth Bowen, Elizabeth Jane Howard, Penelope Mortimer, Elizabeth Taylor and Daphne du Maurier.