Writing Courses & Workshops Online & in London

Come and explore London in writing! On this course we’ll study fiction and non-fiction texts about London. Contemporary perspectives on the city include two recent novels: Happiness by Aminatta Forna and Light Perpetual by Frances Spufford.

This online course introduces a selection of fairy tales from the First Golden Age of Children’s Literature, occurring in the latter half of the 19th century until the early 20th century. We will focus upon L. Frank Baum’s The Wonderful Wizard of Oz (1900), J.M. Barrie’s Peter Pan (1911), George McDonald’s The Princess and the Goblin (1872), and Charles Kingsley’s The Water-Babies: A Fairy Tale for a Land-Baby (1863).

Share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session with suggestions (contemporary literary fiction in paperback) and having read 'The Wren, The Wren' by Anne Enright. We meet on the following dates: 22/9, 20/10, 24/11, 12/1, 16/2, 16/3, 11/5, 8/6, 6/7.

On this in-college literature course we will explore what some of the most significant British authors of the period did and thought on their travels, real and imagined, in the decade leading up to World War II. Authors include Graham Greene, Christopher Isherwood, Jean Rhys and George Orwell.

Passion, marriage, crime, class, and murder: these are just some of the key issues at play in the three exhilarating French novels we will discuss in this online course. Focusing on George Sand’s Indiana (1832), Balzac’s Père Goriot (1835) and Zola’s Thérèse Raquin (1868), we’ll explore French literary style and the influence of serialisation on sensation fiction and these author’s depictions of social class, romance, and realism.

This online literature course explores representations of solitude in recent fiction and memoir. Reading twentieth- and twenty-first-century texts, we’ll consider experiences of solitude across rural and urban settings, from remote islands to crowded cities. How is solitude shaped by places, culture, gender, age and technology?

Agatha Christie and Dorothy L. Sayers dominated the inter-war Golden Age of British detective fiction and continue to this day to beguile and enthral readers with their intricate plotting, fiendish twists and formidable detectives. This course critically explores how both authors shaped the detective genre, the publishing history of some of their most celebrated works, and how Christie and Sayers navigated themes of class, gender, morality and justice. Through selected readings, discussions and analysis, we will explore the literary significance and enduring appeal of these Queens of Crime.

Are you obsessed with reading crime fiction? You might like to join our Crime fiction reading group, where we share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session with suggestions (crime fiction in paperback) and having read 'The Big Sleep' by Rayond Chandler. Monthly meetings take place on 8/10, 5/11, 3/12, 21/1, 18/2, 18/3, 6/5, 3/6, 1/7.

From Roman society to the present day, from the memoirs of Equiano to the experimental poetics of Kwesi Johnson, Black British writers have significantly impacted British literature, despite limited recognition.



Through an exploration of social, political and historical contexts, this course examines how diasporic writers decolonised genres and mapped their own metaphors onto the literary landscape.

Why have so many British authors set stories in and around an important house? How does the structure, history and atmosphere of a great house affect plot and narrative? And where do authors derive their inspiration to build fictional houses that capture readers’ imaginations so fully? The novels on this course all focus on one finely imagined house and demonstrate the author’s own personal concerns of the time.

Are you curious about reading contemporary global literature? Would you like to understand what we mean by the ‘global novel’, reading across cultures and national borders? This in-college course will introduce you to the study of global literature through reading three brilliant 21st century global novels: Mohsin Hamid’s Exit West, Rana Dasgupta’s Tokyo Cancelled and Julie Otsuka’s Buddha in the Attic.

Martin Amis, Julian Barnes, Ian McEwan and Kazuo Ishiguro are household names of contemporary British fiction. But how did their careers begin in the 1970s and 1980s? And how do their early efforts stand up today?