Writing Courses & Workshops Online & in London

This online literature course explores representations of solitude in recent fiction and memoir. Reading twentieth- and twenty-first-century texts, we’ll consider experiences of solitude across rural and urban settings, from remote islands to crowded cities. How is solitude shaped by places, culture, gender, age and technology?

Agatha Christie and Dorothy L. Sayers dominated the inter-war Golden Age of British detective fiction and continue to this day to beguile and enthral readers with their intricate plotting, fiendish twists and formidable detectives. This course critically explores how both authors shaped the detective genre, the publishing history of some of their most celebrated works, and how Christie and Sayers navigated themes of class, gender, morality and justice. Through selected readings, discussions and analysis, we will explore the literary significance and enduring appeal of these Queens of Crime.

During the 1920s, Aldous Huxley was beguiled by D.H. Lawrence and his life-affirming philosophy, but after moving to California in 1937 he became increasingly influenced by mysticism. He was initiated by Swami Prabhavananda of the Hollywood Vedanta Society, who would become Christopher Isherwood’s guru. On this course, we will explore how the spiritual interests of these British writers shaped the literary work they wrote in America.

Are you obsessed with reading crime fiction? You might like to join our Crime fiction reading group, where we share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session with suggestions (crime fiction in paperback) and having read 'The Big Sleep' by Rayond Chandler. Monthly meetings take place on 8/10, 5/11, 3/12, 21/1, 18/2, 18/3, 6/5, 3/6, 1/7.

This in-college literature course delves into the provocative and unsettling world of contemporary body horror - primarily by femme and queer authors. Over six-weeks we will explore how writers reframe the body as a site of both violence and transformation: using aesthetics of the uncanny, grotesque or abject to disturb and overturn societal norms surrounding gender, sexuality, identity, and power.

From Roman society to the present day, from the memoirs of Equiano to the experimental poetics of Kwesi Johnson, Black British writers have significantly impacted British literature, despite limited recognition.



Through an exploration of social, political and historical contexts, this course examines how diasporic writers decolonised genres and mapped their own metaphors onto the literary landscape.

The katabasis or journey into the underworld is a standard element of many classical texts. This course explores what this journey and the return to the world above means in a selection of Greek and Roman texts with examples taken from mythological poetry, epic, and Athenian drama. We will also look at how later writers (Joseph Conrad, Margaret Atwood, Elena Ferrante) adopt and adapt this trope using it to explore colonialism, feminism and motherhood.

Why have so many British authors set stories in and around an important house? How does the structure, history and atmosphere of a great house affect plot and narrative? And where do authors derive their inspiration to build fictional houses that capture readers’ imaginations so fully? The novels on this course all focus on one finely imagined house and demonstrate the author’s own personal concerns of the time.

Are you curious about reading contemporary global literature? Would you like to understand what we mean by the ‘global novel’, reading across cultures and national borders? This in-college course will introduce you to the study of global literature through reading three brilliant 21st century global novels: Mohsin Hamid’s Exit West, Rana Dasgupta’s Tokyo Cancelled and Julie Otsuka’s Buddha in the Attic.

This class explores classic texts of 19th century French and Russian literature, discussing literary style, themes, and contexts as a way of developing and sharing responses to celebrated European writing. Among the French writers examined will be Balzac, Baudelaire, Flaubert and Rimbaud, with our Russians including Gogol, Dostoevsky, and Chekhov.

Martin Amis, Julian Barnes, Ian McEwan and Kazuo Ishiguro are household names of contemporary British fiction. But how did their careers begin in the 1970s and 1980s? And how do their early efforts stand up today?

A selection of novels from 1960 to 1980, including Heinrich Boll's powerful psychological fiction, The Lost Honour of Katharina Blum; two works of speculative fiction, Marlen Haushofer's The Wall and Kay Dick's They; Latifa Zayyat's bildungsroman, The Open Door; and Mariama Ba's powerful exploration of mourning, So Long a Letter.

It was that great literary voyager Robert Louis Stevenson who said “It is better to travel hopefully than to arrive”. Whether it's to the sound of train wheels, hoofbeats, car tyres or marching feet, and not knowing where day’s end will find you, there is an exhilaration in being on the open road. And the twentieth century saw a host of stirring accounts of journeys made in search of a special kind of freedom. Some of them have become literary classics.

The short story has come to be seen as one of Irish Literature’s most celebrated forms of expression. From the early stories of George Moore and James Joyce, to modern classics by John McGahern, William Trevor and Claire Keegan, the short story has allowed Irish writers to pick apart the complexities of Irish society in powerful, precise and poetic terms. This course will explore some of the most iconic short stories of twentieth-century Irish literature.