Writing Courses & Workshops Online & in London

Join us for an exploration of the ways we experience global literatures of our time. Inter-generational memory is the focus of two prize-winning novels, The Vegetarian (2007) by Han Kang and The Island of Missing Trees (2021) by Elif Shafak. Unearthing the painful truths of history in the context of culturally/politically divided Korea and Cyprus, the authors deal delicately, and brutally, with love, the environment, patriarchy, resistance and the metamorphosis of the female body.

Agatha Christie and Dorothy L. Sayers dominated the inter-war Golden Age of British detective fiction and continue to this day to beguile and enthral readers with their intricate plotting, fiendish twists and formidable detectives. This course critically explores how both authors shaped the detective genre, the publishing history of some of their most celebrated works, and how Christie and Sayers navigated themes of class, gender, morality and justice. Through selected readings, discussions and analysis, we will explore the literary significance and enduring appeal of these Queens of Crime.

During the 1920s, Aldous Huxley was beguiled by D.H. Lawrence and his life-affirming philosophy, but after moving to California in 1937 he became increasingly influenced by mysticism. He was initiated by Swami Prabhavananda of the Hollywood Vedanta Society, who would become Christopher Isherwood’s guru. On this course, we will explore how the spiritual interests of these British writers shaped the literary work they wrote in America.

This course will introduce and discuss the fiction of renowned author, Angela Carter, specifically focusing upon one novel and one short story. Carter wanted her writing to ‘demythologise the fictions that regulate our lives’, to explore how society narrates us into being and holds us there. In doing so, she offers us a chance to read and, ultimately, release ourselves through her work, as we come to understand the relationship between fiction and reality. For Carter, both of these – fiction and reality – are two sides of the same coin.

Are you obsessed with reading crime fiction? You might like to join our Crime fiction reading group, where we share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session with suggestions (crime fiction in paperback) and having read 'The Big Sleep' by Rayond Chandler. Monthly meetings take place on 8/10, 5/11, 3/12, 21/1, 18/2, 18/3, 6/5, 3/6, 1/7.

This in-college literature course delves into the provocative and unsettling world of contemporary body horror - primarily by femme and queer authors. Over six-weeks we will explore how writers reframe the body as a site of both violence and transformation: using aesthetics of the uncanny, grotesque or abject to disturb and overturn societal norms surrounding gender, sexuality, identity, and power.

From Roman society to the present day, from the memoirs of Equiano to the experimental poetics of Kwesi Johnson, Black British writers have significantly impacted British literature, despite limited recognition.



Through an exploration of social, political and historical contexts, this course examines how diasporic writers decolonised genres and mapped their own metaphors onto the literary landscape.

What is a short story? Come and discuss its characteristics, its length, design, mood and style. What distinguishes it from other kinds of short narrative? We’ll compare short stories to other forms, such as myths, legends, anecdotes, fabliaux, parables, fables, and ‘tales’. We’ll look at some of the greatest practitioners including Edgar Allan Poe, Katherine Mansfield, and O’ Henry.

The katabasis or journey into the underworld is a standard element of many classical texts. This course explores what this journey and the return to the world above means in a selection of Greek and Roman texts with examples taken from mythological poetry, epic, and Athenian drama. We will also look at how later writers (Joseph Conrad, Margaret Atwood, Elena Ferrante) adopt and adapt this trope using it to explore colonialism, feminism and motherhood.

Why have so many British authors set stories in and around an important house? How does the structure, history and atmosphere of a great house affect plot and narrative? And where do authors derive their inspiration to build fictional houses that capture readers’ imaginations so fully? The novels on this course all focus on one finely imagined house and demonstrate the author’s own personal concerns of the time.