Explore Culture, History & Humanities Courses

Come and revel in the sheer variety and possibility of poetic form, as we consider how form might shape what a writer has to say and how they say it. This course will allow you to explore the many shapes that a poem can take.

This online course offers an introduction to the concept of the 21st century British dramatist as a social observer, enabling a deeper understanding of how playwrights can illuminate and comment on social issues. Join us to find out how playwrights Polly Stenham, Jez Butterworth and Phillip Ralph have interrogated a variety of societal ills including a miscarriage of justice, dependency issues, class and the façade of contentment amongst the upwardly mobile.

In his literary essay On Fairy Stories, J.R.R. Tolkien famously wrote that “in human art, fantasy is a thing best left to words”. Despite this claim, The Lord of the Rings is arguably one of the most profitable media franchises of the 21st century. It has inspired academy-award winning films and record-breaking TV series, and continues to generate material that resonates with new generations of fans to explore. This course will explore the history of adapting Tolkien to the cinema, considering not only what was altered or left behind in attempts to turn Tolkien’s vast mythology into the stuff of popular cinema, but what might also have been enhanced as a result.

This course will take you on a journey through the development of British Cinema from its earliest films through to some of its most recent. We will explore some of the most significant periods of British filmmaking creativity and commercial enterprise and consider some of the famous names associated with it. Join me in City Lit’s Cultureplex as I tell – through image and sound – the whole story of British Cinema.

Share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session with suggestions (contemporary literary fiction in paperback) and having read 'The Wren, The Wren' by Anne Enright. We meet on the following dates: 22/9, 20/10, 24/11, 12/1, 16/2, 16/3, 11/5, 8/6, 6/7.

Passion, marriage, crime, class, and murder: these are just some of the key issues at play in the three exhilarating French novels we will discuss in this online course. Focusing on George Sand’s Indiana (1832), Balzac’s Père Goriot (1835) and Zola’s Thérèse Raquin (1868), we’ll explore French literary style and the influence of serialisation on sensation fiction and these author’s depictions of social class, romance, and realism.

Improve your ability to read texts in hieroglyphs and gain (or continue to gain) a deeper understanding of ancient Egyptian literature and culture. Suitable for those who have completed part 3 of the hieroglyphs course but also for those who have attended the same course in previous years.

This course explores how dramatists use their position as commentators to reflect the societal and political issues affecting the nation. Drawing on texts by Laura Wade, Jez Butterworth, Roy Williams and others, we’ll discuss how issues such as class, national identity, queer and black lives, and activism have been interrogated by Britain’s finest contemporary playwrights.