Explore Culture, History & Humanities Courses

This online course offers an introduction to the concept of the 21st century British dramatist as a social observer, enabling a deeper understanding of how playwrights can illuminate and comment on social issues. Join us to find out how playwrights Polly Stenham, Jez Butterworth and Phillip Ralph have interrogated a variety of societal ills including a miscarriage of justice, dependency issues, class and the façade of contentment amongst the upwardly mobile.

Phenomenology, one of the most influential approaches in contemporary philosophy, asks: how do we constitute experienced reality? Following Husserl and Heidegger, phenomenologists try to understand what it means, if anything, to be in the world.

In his literary essay On Fairy Stories, J.R.R. Tolkien famously wrote that “in human art, fantasy is a thing best left to words”. Despite this claim, The Lord of the Rings is arguably one of the most profitable media franchises of the 21st century. It has inspired academy-award winning films and record-breaking TV series, and continues to generate material that resonates with new generations of fans to explore. This course will explore the history of adapting Tolkien to the cinema, considering not only what was altered or left behind in attempts to turn Tolkien’s vast mythology into the stuff of popular cinema, but what might also have been enhanced as a result.

This course will take you on a journey through the development of British Cinema from its earliest films through to some of its most recent. We will explore some of the most significant periods of British filmmaking creativity and commercial enterprise and consider some of the famous names associated with it. Join me in City Lit’s Cultureplex as I tell – through image and sound – the whole story of British Cinema.

Share thoughts and ideas about what you are reading, with books chosen by the group. Please come to the first session with suggestions (contemporary literary fiction in paperback) and having read 'The Wren, The Wren' by Anne Enright. We meet on the following dates: 22/9, 20/10, 24/11, 12/1, 16/2, 16/3, 11/5, 8/6, 6/7.

From the theory of evolution to quantum physics and artificial intelligence, modern science has upended our understanding of the world and our place in it. How have writers of fiction responded to these radical changes?



We consider a range of fiction, including Frankenstein by Mary shelley, Angles and Insects by AS Byatt, Copenhagen by Michael Frayn and Klara and the Sun by Kazuo Ishiguro.

Discuss a differently themed group of paintings each week in front of the pictures. An opportunity to understand our national collection in greater depth.

Passion, marriage, crime, class, and murder: these are just some of the key issues at play in the three exhilarating French novels we will discuss in this online course. Focusing on George Sand’s Indiana (1832), Balzac’s Père Goriot (1835) and Zola’s Thérèse Raquin (1868), we’ll explore French literary style and the influence of serialisation on sensation fiction and these author’s depictions of social class, romance, and realism.

Improve your ability to read texts in hieroglyphs and gain (or continue to gain) a deeper understanding of ancient Egyptian literature and culture. Suitable for those who have completed part 3 of the hieroglyphs course but also for those who have attended the same course in previous years.

Explore the imagery and significance of the sacred icon, from its classical origins and formulation within the Eastern church, its many interpretations within and beyond the Byzantine world, from the 4th century to the present day.

This course explores how dramatists use their position as commentators to reflect the societal and political issues affecting the nation. Drawing on texts by Laura Wade, Jez Butterworth, Roy Williams and others, we’ll discuss how issues such as class, national identity, queer and black lives, and activism have been interrogated by Britain’s finest contemporary playwrights.