Explore Culture, History & Humanities Courses

This course explores the transformative period of Russian history from 1860 to 1924, encompassing the autocratic rule of the Tsars, the revolutionary upheavals of 1905 and 1917, the chaos of the civil war, and the consolidation of the Bolshevik regime. Students will examine key events, figures, and ideologies that shaped modern Russia, delving into the complexities of political, social, and economic changes during this era.



Please note: this course includes much of the material covered in previous Russian Revolution courses at the City Lit. Moreover this course is taught at an introductory level. Tutor: Zoe Quinn.

This course is an introduction to the key concepts in African philosophy. We will analyse the various positions and contestations regarding the nature, and trends in African philosophy, debate on communitarianism and personhood, and ubuntu.

This course explores the Making, the Locating and the Viewing of Renaissance paintings in the collection of the National Gallery. This course takes place at the National Gallery.

Join Dr Vince Cable, former minister and party leader of the Liberal Democrats, for a session on a brief overview of politicians who changed the global narrative on economics.

Myth permeated all aspects of ancient society and much the same can be said today. Investigate the relevance and perseverance of the Greek myth and why these tales continue to fascinate.

Join Dr Vince Cable, former minister and party leader of the Liberal Democrats, to learn more about key politicians who changed the global narrative on economics.

Explore seminal modern plays by three leading women playwrights – Caryl Churchill, Timberlake Wertenbaker and Moira Buffini – who are all known for groundbreaking and innovative dramatic work.



In the company of an experienced theatre director, examine the different theatrical visions of three exciting plays.

Portrait miniatures are some of the most exquisite likenesses ever produced, initially gaining favour in the court of Henry VIII as love tokens and tiny pieces of propaganda. This session in the V&A’s collection of portrait miniatures can be taken as a single stand-alone visit (no previous knowledge required, all welcome) or as a final lesson for the three-week online VB776 Private Portraits course.

Godard’s definition of cinema is particularly apt for documentary. But today, documentary is at a crossroads, with first person, self-shot, iPhone filmmaking at one end of the spectrum and mega budget, celebrity-fronted or focused storytelling at the other. Is documentary up to the challenges of an era where facts themselves are in doubt – or is it the last hope of an otherwise overly massaged media, accused of ‘fake news’? When is factual filmmaking no longer factual? Reality television and co-called ‘constructed reality’ increasingly call into question the veracity of documentary protagonists increasingly cast – and paid – to be entertaining. Through the lens of current and recent releases, we look at animated documentary, activist documentary, archival documentary, and autobiographical documentary among other recent developments - and ask if the form has a future.







Dr Paul Kerr began his career working at the BFI, working in the National Film Archive, and as a freelance film and TV critic and lecturer. He then spent over 20 years as a producer and director, making arts and history programmes, including dozens of documentaries, for the BBC and Channel 4, as well as international broadcasters. More recently he was a Senior Lecturer in Film and Television at Middlesex University until 2024. His books include Hollywood Independent: How the Mirisch Company Changed Cinema (2023); The Hollywood Film Industry; and MTM: Quality Television and two co-authored dossiers, Multiplatforming Public Service Broadcasting and Drama Documentary. He has published articles in journals including Screen, Transnational Cinemas, The Historical Journal of Film, Radio and Television and Critical Studies in Television as well as The Guardian, The Sunday Times, The Observer, Broadcast, NME and The New Statesman.

Are you brand new to creative writing? Do you want to build your confidence in a supportive environment alongside other beginners? This gentle short-course guides students taking their first steps on the path to becoming a creative writer.