Explore Culture, History & Humanities Courses

Hitchcock's most successful film, and, arguably, the horror thriller, Psycho (1960) has enthralled audiences and critics ever since its release sixty-five years ago. Through an in-depth, scene by scene analysis of the film, we will explore its structure, one designed to challenge both audiences and the conventions of narrative filmmaking, its critical and cultural impact, and its enduring appeal.

Covering the early 19th century to the early 20th century, we will examine the East End and analyse how it was portrayed in works of fiction, thinking about how imaginative fiction and historical fact intertwine to create local legend.

This course will consider Claire Denis’ importance as a filmmaker by exploring in some detail a number of her key films from Chocolat (1988), I can’t sleep (1994), Beau Travail (1999), White material (2009), and High Life (2018). Claire Denis’ transnational postcolonial work, from Djibouti, South Africa to multi-ethnic France, deals with themes of migration, human desires and fears. Her films are renowned for being filmed mainly on location, for playing with many cinematic genres and languages and they are internationally acclaimed.

Explore Realism in the nineteenth century, focusing on Manet as its key example, considering such issues as social and political change, formal and subject developments, theoretic interests and artistic influences.

What is a short story? Come and discuss its characteristics, its length, design, mood and style. What distinguishes it from other kinds of short narrative? We’ll compare short stories to other forms, such as myths, legends, anecdotes, fabliaux, parables, fables, and ‘tales’. We’ll look at some of the greatest practitioners including Edgar Allan Poe, Katherine Mansfield, and O’ Henry.

The early 2000s saw the emergence of a number of Swedish and Norwegian crime series onto UK TV screens, including Wallander (dir. various, 2005-10), Forbrydelsen/The Killing (dir. Various, 2007), Borgen (dir. various 2010) and The Bridge (dir. various 2011), all broadcast on BBC4. The popularity of these dramas led to one critic to refer to them as ‘Nordic noir, the gift that keeps on giving’. Similarly successful were the film adaptations of Stieg Larsson’s hugely popular Millenium trilogy, The Girl with the Dragon Tattoo (2009 and 2011), The Girl who Played with Fire (2009) and The Girl who Kicked the Hornet’s Nest (2009). This one-day course will explore the history, context, development and reception of these TV dramas and films while also considering the various processes of adaptation and remaking involved in their production.

This course is an introduction to theology – reasoned discourse on the Christian understanding of God, his nature, and his relationship with human beings and the created order.

Come and revel in the possibilities of expression and form offered by poems across time, guided by lively group discussion and tutor expertise.

It's rare for a film studio to inspire affection. The giants of Hollywood (Warner Bros, Fox or Paramount) or Britain (Rank/Pinewood, Elstree) might be admired, but not loved. Ealing Studios was loved, and still is, well over half a century since its heyday. Pinewood—now known as the James Bond studio (see HF233 British Bond: James Bond in Cinema, 21st February 2026)—was built by J. Arthur Rank in 1936 and merged with Shepperton Studios in 2001 to become one of the technically advanced studios in the British film industry. Join us as we explore the history of these key British studios from their inception to the present day.

In large parts of the Global South, corruption is rampant but that was not always the case. By upending local values and customs and forcibly replacing indigenous institutions with Westerns structures, colonialism introduced systemic corruption on a grand scale that continues to this day.

This study day will examine the question of the association of women with magic and witchcraft.

F. W. Murnau’s Nosferatu: A Symphony of Horror (1922) is acknowledged as one of the all-time greats of cinema, expressing as one critic describes it, the ‘poetry of fear’ and as one of the first feature length vampire films it’s influence, and legacy has been widely felt. Robert Eggers’ recent remake Nosferatu (2024), comes just over one hundred years after Murnau's film and marks one of the most recent instalments in a genre that continues to renew itself for each generation of film viewers. Exploring a range of key vampire films from across this century of cinema, this course will explore why the vampire film remains such a popular sub-genre of the horror film and it will consider why it continues to exercise such power over its spectators.

Join Sarah Wise to explore the clandestine world of 'resurrection men,' the bodysnatchers who supplied human bodies to anatomy schools and the impact of the 1832 Anatomy Act on the trade.