Explore History, Culture & Writing

Unearth the hidden tales of Irish indentured servants in the Caribbean. This course explores their struggles, cultural influences, and lasting impact, revealing a captivating chapter in history.

This course will trace the origins and development of the Safavid dynasty and the ongoing conflicts with the Ottoman neighbours. The choice of Isfahan as the capital of the empire will be also analysed.

This course charts the post 1945 entrance of the United States into the Middle East and the power struggle which ensued with Britain as a consequence. The course pierces the official discourse on the transatlantic relationship and provides a different perspective on how to understand and explain the volatile politics of the region. Tutor: Noman Hanif.

Discover the origins of carpets, their threads, materials, patterns and trends as well as patrons and places of manufacture. Find out also their representations on the canvases of famous Renaissance artists.

Explore the rewards of close reading analysis, focusing on fiction, drama and the literary essay. Read, analyse and debate works from the mid-twentieth century that challenged the status quo and entered into the debates of the time. Includes 'A Single Man' by Christopher Isherwood, 'A Delicate Balance' by Edward Albee and 'Slouching Towards Bethlehem' by Joan Didion.

This comprehensive introductory course provides an overview of the main historical, technical and theoretical aspects of filmmaking and film analysis. In its exploration of aspects of film theory as it relates to film aesthetics and film history, the course develops certain ideas with rigour and depth.

Robert Altman served a long apprenticeship in movie-making before his great breakthrough , the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller (1971 revisionist western), The Long Goodbye (1973 revisionist Raymond Chandler), Thieves Like Us (1974 remake of Nicholas Ray’s 1948 They Live By Night), Nashville (1976 completely and absolutely original widescreen mural of America and Hollywood). In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, (2001), underscored his comeback. (See separate but related courses on Once Upon a Time in New Hollywood, Francis Ford Coppola, David Lynch and the Coen brothers).

The Maya Calendar, previously little known outside the realm of academic research, rose to worldwide prominence in 2012, since the cycle of the Calendar ended on 21st December of that year and the myth arose that the world would end when that cycle of the Calendar ended. This misinterpretation of the Calendar arose out of a lack of understanding of Maya culture, an understanding which can be obtained, at least in part, through a careful analysis of the Calendar itself.