Explore History, Culture & Writing

Join this course and discover the work of John Locke, the founder of British Empiricism; George Berkeley and his famous view on perception; and David Hume’s fork of ‘relations of ideas' and 'matters of fact'.

“The more beautiful everything is, the more it will hurt without you”—Gene Kelly as An American in Paris (1951) singing to Leslie Caron. Happy endings are hard won in fifties’ musicals and The End is where they were heading. MGM was the studio of musicals in the 1950s. During this decade other studios presented only occasional musicals. The musical was big business for Hollywood in the 1950s and so was the western, so bringing them together made sense. Annie Get Your Gun had been a big success for MGM so Warner Bros. decided to get a piece of the action with Calamity Jane (1953 David Butler with Doris Day). Judy Garland was sacked by MGM in 1951, then followed Joan Crawford to Warner Brothers where she staged a big comeback in, fittingly, A Star is Born (1954 George Cukor). Oklahoma (1955 Fred Zinnemann) and Carousel (1956 Henry King) from 20th Century Fox introduced Shirley Jones. And don’t forget Leonard Bernstein’s score for On the Waterfront (1954) that anticipated West Side Story (1961). (See related courses on Fifties Melodrama and Film Noir and 50 Films From the ‘50s: Hollywood’s Last Stand).

We explore Michel Foucault's public lectures at the Collège de France, introducing key concepts such as genealogy, governmentality, and biopolitics. Through Foucault's lens, we critically navigate debates on truth, social engineering, and politics in turbulent times.

Is it possible to be true to oneself? And, is this a worthwhile pursuit or a delusion of modernity? This course will explore these questions with the help of five modern philosophers.

This course will introduce students to exciting initiatives in twenty-first century cultural discourse that attempt to reconceptualise what an ecological consciousness might be or feel like. Drawing on theoretical and literary texts, films, performance art, and political activism, we will explore radical ways of rethinking and reinhabiting our relations with more-than-human worlds, and how they open new possibilities for living on a damaged planet.

This is a stand-alone companion course to the Autumn ’23 course on the Sight and Sound Poll of the Greatest Films of All Time. The first reactions to the Sight and Sound Poll 2022 were divisive, as completely expected, when certain 21st-century films made the list and other venerated classics were dropped (see topics below for the list). As interesting as the top 100 was to discuss, we wanted to look a bit deeper to see how the reception of certain films shifted over the last decade, with a rundown of the films that were added and those removed. Be assured, they are as enjoyable as the Top 100—perhaps even more so. In addition to viewing the films that were added or dropped, students will conduct their own poll of the Greatest Films of All Time. Enjoy either or both of these complementary courses.

Join us on an incredible journey of self-discovery as we explore the concept of well-being, from Aristotle's ancient wisdom to Buddha's enlightening perspectives. We will connect these ideas with today's world, giving you plenty of chances to debate and reflect on your own thoughts.

This course is an introduction to African philosophy. We will analyse the various positions and contestations regarding the nature, and trends in African philosophy, debate on communitarianism and personhood, African ethics, ubuntu, and decolonisation of knowledge.

Novels that fit all their action into just one day (‘circadian novels’) have been penned by some of literature’s most esteemed authors. This course focuses on three novels which use the one-day structure to tell their stories: Virginia Woolf’s Mrs Dalloway (1925), Mollie Pater-Downes’s One Fine Day (1947), and Michael Cunningham’s The Hours (1999). It explores how they portray the inner life of characters, at the same time as engaging with broader social issues of the time.