Fiction Literature Courses
Study online & in London

Enjoy talking with other people about the things you have read? Want to share great stories, poems and drama? Come along and join the conversation. The group is led by a shared reading practitioner trained by The Reader Organisation.

This online course focuses on innovative short fiction from around the globe which reworks folkloric traditions to grapple with conditions of twenty-first century life. As well as engaging with the unique folkloric influences each text draws on, we’ll consider the complexities of the present that they are addressed to – and how the rising popularity of ghost stories, fairy tales, dark fables and surreal myths suggests a renewed fascination with the intrigues of the mysterious, monstrous and inexplicable.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

What’s the unique appeal of historical fiction? Why do we read it, and what are we looking for? This course investigates historical fiction written in the twenty-first century and how it reimagines the past for us as contemporary readers. Reading novels and short stories set in the seventeenth, eighteenth and nineteenth centuries, we’ll explore historical fiction’s strategies, challenges and pleasures: how it can bring unknown stories into view and rewrite what we think we know. Includes Francis Spufford's Golden Hill (2016), Emma Donoghue's The Woman who Gave Birth to Rabbits (2002) and Maggie O'Farrell's Hamnet (2020).

The 2016 referendum result was one of the most significant events in recent British history. How can novels, written in that moment, shed light on the run-up to the vote and its immediate aftermath?



On this course we’ll study three fascinating and powerful novels, by Ali Smith, Anthony Cartwright and Adam Thorpe, exploring their stories and the backdrop they present of Britain’s divisions and connections.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

What sells crime novels? Does knowing about the detective's other life make readers appreciate or rate their detective skills more? Why does the figure of the male detective remain so dominant in the genre, especially given that many of the texts are by female authors? We will analyse and the discuss the development of the male detective figure in recent crime fiction, including 'A certain Justice' by P.D. James, 'In the Woods' by Tana French and 'Career of Evil' by Robert Galbraith.

Discuss a selection of novels written by women in contemporary British society. Focusing on the 21st century, we consider the concerns of fiction in grappling with representing the now. We will make links between literary texts and social context to consider how fiction might be influenced by and influencing the real world beyond its covers. Texts include Bernardine Evaristo's Mr. Loverman (2013), Jenni Fagan's The Panopticon (2013) and Ali Smith's Hotel World (2002).



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

The beautiful city of Venice has attracted writers as diverse as Marcel Proust and Thomas Mann, Ezra Pound and Jeanette Winterson. These writers eulogised Venice as a city of art and culture, praising its gorgeous Gothic palaces and shimmering waters. In this course we look behind the myth, exploring the fascinating and surprising stories behind these Venetian visions.