Explore History, Culture & Writing

Robert Altman served a long apprenticeship in movie-making before his great breakthrough , the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller (1971 revisionist western), The Long Goodbye (1973 revisionist Raymond Chandler), Thieves Like Us (1974 remake of Nicholas Ray’s 1948 They Live By Night), Nashville (1976 completely and absolutely original widescreen mural of America and Hollywood). In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, (2001), underscored his comeback. (See separate but related courses on Once Upon a Time in New Hollywood, Francis Ford Coppola, David Lynch and the Coen brothers).

The Maya Calendar, previously little known outside the realm of academic research, rose to worldwide prominence in 2012, since the cycle of the Calendar ended on 21st December of that year and the myth arose that the world would end when that cycle of the Calendar ended. This misinterpretation of the Calendar arose out of a lack of understanding of Maya culture, an understanding which can be obtained, at least in part, through a careful analysis of the Calendar itself.

What is the psyche and how is it lodged in the body? This course explores the psyche and its connections with the body through a philosophical lens from the ancient Greeks to current discussions.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

This course explores the Medieval Mystery plays, also known as the York Corpus Christi plays, focusing on the oldest of the four great cycles of biblical drama that have survived from late Medieval England. We will consider theatrical conventions, costumes and props, the performances and open-air staging of the plays and the medieval guilds and writers that were responsible for them.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Join us to explore the issues of race relations and racism in the USA since the Civil Rights movement of the 1960s.

Come on a walking tour of public art through the City of London created by Refugees and Immigrants. We will explore artworks such as the 17th century carvings on the Monument and a Victorian plaques relocated on to the post Modern Number One Poultry by economic immigrants to the country as well as looking at mainly works by 20th century artists from refugee backgrounds who were either commissioned to make art works for site specific places or their works have been bought or moved to their locations.

Shakespeare presents us with two visions of marriage, the Macbeths’ longstanding but filled with passion and rivalry, Othello’s fragile and still largely innocent. Macbeth and his wife know each other only too well – Othello and Desdemona barely at all. We the audience become sucked into these marital dramas through the force of Shakespeare’s dazzling imagery, psychological insight and sensational plotting. We’ll be studying the characters, the poetry and the ideas of both plays in detail.