Explore History, Culture & Writing

Since cinema's earliest days, literature has provided movies with stories. But there is another way of looking at film: through its relationship with painting, the oldest of the art forms.



We’ll look at paintings by Friedrich, Titian, Hopper, Bacon, Delaroche and many more. We’ll view Red Desert, Pan’s Labyrinth, Easy Rider – looking at realism, surrealism and more.



As you can see, all of these are quite different! Let’s see how movies connect us to art history.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

This course will introduce you to the cinema of Japan, one of the world’s most important national cinemas. It will introduce you to films by major Japanese directors, such as Kurosawa, Ozu, Mizoguchi and Kitano. It will also explore the aesthetics of these films, situating them within their broader historical, cultural, critical and industrial contexts. It will also look at the functioning of genre and the peculiarities of the star system within Japanese filmmaking.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Defining itself around themes such as realism, class and national identity, British cinema continues to find critical and popular acclaim, both domestically and internationally. This course explores British cinema, past and present, through a range of critical concepts and approaches, films - including both popular and art house - and filmmakers, and considers its function as a national cinema.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

The 1950s was the beginning of the end for the Hollywood studio era, a golden age in place since the 1920s. The fifties are more difficult to pin down than the 1930/40s due to explosive diversity in both subject matter and cinematic technology, the profound influence of WWII, the development of European neorealism and the first signs of the French New Wave. An emphasis on teen culture emerged, represented by the brief career of James Dean. Film stars became anti-heroes. The moguls who founded Hollywood began to disappear. The studio business model was doomed. Hollywood reacted both defensively and creatively, going for broke—and producing some of the finest and most enduring films in its history, films that transformed the culture, from Sunset Blvd. (1950) to Some Like It Hot (1959)—both by Billy Wilder. From The Asphalt Jungle (1950) to The Misfits (1961)— Marilyn Monroe’s first and final films, both directed by John Huston. From Here To Eternity (1953 Fred Zinnemann) to A Place in the Sun (1951 George Stevens, part of his American trilogy). Fifties’ films reflected a darkening America. (See related courses on Fifties Musicals, Melodrama and Film Noir).