Explore Culture, History & Humanities Courses

German philosophers created the most ambitious and imaginative systems of thought of modern times against the backdrop of revolution and war. This creative and speculative beginning to modern continental philosophy is an exciting intellectual adventure.

Great poetry and prose begin when the writer puts the right words in the right places. Learn how and why the rules and conventions of language matter in this new course, which combines creative writing with a review of essential points of grammar.

This course will develop your critical appreciation of the cinema by teaching you how to read and understand film texts. We will look at the elements that underpin film form – narrative, mise en scène, cinematography, editing and sound – alongside its historical development. We will consider film style by exploring classical, post-classical and art cinema and we will examine influential critical modes of analysis, such as genre, authorship and spectatorship.

Are you just starting to write poetry? This shorter version of our introductory Ways into poetry course offers an opportunity to experiment with language and a variety of poetic devices. Discover the key elements of a poem in a friendly and interactive class.

Not sure whether creative writing is for you? Give it a try on one of these fun and supportive short courses covering the basics of fiction and poetry. Increase your confidence and produce work through guided exercises and discussion.

This comprehensive introductory course provides an overview of the main historical, technical and theoretical aspects of filmmaking and film analysis. In its exploration of aspects of film theory as it relates to film aesthetics and film history, the course develops certain ideas with rigour and depth.

This workshop, designed for authors who have finished their manuscript, offers practical advice on finding and approaching a literary agent.

This advanced level film studies course will introduce you to a range of theoretical approaches to the study of film. It will consider some of the earliest attempts to think about film, studies that borrowed methodologies from other disciplines. As early as 1915, for example, writers were applying psychology to film analysis, exploring the emotional responses of audiences to this still new medium. Early theorists argued for film as a distinct art form, and we will examine a number of their key texts. In the 1960s, film studies began to develop as a specific subject of study in universities in the US and the UK, once again deploying perspectives from other subject areas. We will examine a number of these theories and consider their continued importance for the analysis and understanding of film today.