Looking at photography: critical and analytic theories

Course Dates: 14/06/24 - 28/06/24
Time: 14:00 - 17:00
Location: Kean Street Photography Studio
An introduction to some of the main ways of thinking about photography, based on cultural theory, politics, philosophy and semiotics.
Book your place
In stock
Full fee £119.00 Senior fee £119.00 Concession £119.00
Choose a start date

Looking at photography: critical and analytic theories
  • Course Code: VY604
  • Dates: 14/06/24 - 28/06/24
  • Time: 14:00 - 17:00
  • Taught: Fri, Daytime
  • Duration: 3 sessions (over 3 weeks)
  • Location: Kean Street Photography Studio
  • Tutor: Michael Harding

Course Code: VY604

Choose a start date  

Fri, day, 14 Jun - 28 Jun '24

Duration: 3 sessions (over 3 weeks)

Please note: We offer a wide variety of financial support to make courses affordable. Just visit our online Help Centre for more information on a range of topics including fees, online learning and FAQs.

What is the course about?

Over the period of the twentieth century, photography came to touch upon and/or to reshape almost all areas of life in which images are made, used and experienced. Given its massive influence, and the many different forms and uses, it is perhaps unsurprising that those who have tried to understand it critically and theoretically have adopted a range of different approaches, drawing on different cultural and political theories, philosophies and ideas of vision and communication to aid them in thinking about this most versatile of image forms.

This course offers an introduction to some of the major influential approaches to thinking about photography that developed between the 1930s and the last decades of the twentieth century. Through readings of selected texts by key thinkers, and in discussion of a range of visual materials, this course explores some of the central issues and concepts in twentieth century criticism and theory of photography.

What will we cover?

The course covers a range of writers whose work has proven important for the historical, critical and theoretical understanding of photography. These include Walter Benjamin, Susan Sontag, John Berger, Roland Barthes, Allan Sekula, Abigail Solomon-Godeau, Christian Metz, Kaja Silverman and Vilem Flusser. Our exploration of the ideas put forward by these writers will be informed by group discussion of a variety of photographic practices.

What will I achieve?
By the end of this course you should be able to...

- Understand the concepts and arguments put forward in the writings studied and in class discussion.
- Use these concepts in analysis of photographic works and have a good sense of their relevance for thinking about visual culture more generally.
- Feel confident that you have a grasp of some of the key debates, issues and ideas that shaped critical and theoretical discussions of photography in the twentieth century and that, on this basis, you can move on to further and related studies.

What level is the course and do I need any particular skills?

The course is open to all. No previous knowledge of the subject is required.
You should be able to follow simple written and verbal instructions, demonstrations, hand-outs and health and safety information, and will be invited to take part in group discussion. You should be able to use numbers and be able to do simple measurements and calculations.

How will I be taught, and will there be any work outside the class?

The tutor will give introductory lectures clarifying the essential content of the text(s) in focus. You will then be given a chance to participate in group discussion of visual examples and to apply the concepts studied to these.
The course also uses Google Classroom (an online teaching resource) for you to share comments with your class, download course material and upload images for group crits.

Google classroom login help.

Are there any other costs? Is there anything I need to bring?

You may find it useful to buy some of the books discussed during the course.
This is an online course you will need a computer or tablet with a webcam, microphone and reliable internet connection to take this class. We use video software (Zoom) to meet for classes via webcam and recommend the Google Chrome Browser.

When I've finished, what course can I do next?

Various courses in the City Lit programme for Art and Design may be of interest to you after this course. Specifically courses related to art history and photography, such as Modern Art 1900-1950 and Modern Art 1950-present. You may also wish to put some of the theoretical knowledge into practice through a practical course.

Michael Harding Tutor Website

Michael Harding was born in Canada, where he studied cinema and photography at Concordia University, Montréal, before moving to the UK. Since then, he has created striking images of architecture, art, people and landscapes for international blue-chip clients for their use in editorial, advertising and corporate applications. Michael’s work has won many industry awards, notably being selected in the Eleventh Association of Photographers Awards and further receiving a Merit Award in the Seventeenth Association of Photographers Awards. His work was selected for a Highly Commended Award in the Deutsche Bauzeitung “Visions in Architecture” European Architectural Photography prize. His work has been exhibited in both the United Kingdom and Canada. Michael has been Chairman, as well as President, of the Association of Photographers (AOP). The AOP is Europe’s most established organisation for professional photographers, working to ensure greater recognition for all professional photographers, as well as working to positively influence legislators in the UK and Europe for the benefit of all photographers.

Please note: We reserve the right to change our tutors from those advertised. This happens rarely, but if it does, we are unable to refund fees due to this. Our tutors may have different teaching styles; however we guarantee a consistent quality of teaching in all our courses.