Explore History, Culture & Writing

Robert Altman served a long apprenticeship in movie-making before his great breakthrough , the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller (1971 revisionist western), The Long Goodbye (1973 revisionist Raymond Chandler), Thieves Like Us (1974 remake of Nicholas Ray’s 1948 They Live By Night), Nashville (1976 completely and absolutely original widescreen mural of America and Hollywood). In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, (2001), underscored his comeback. (See separate but related courses on Once Upon a Time in New Hollywood, Francis Ford Coppola, David Lynch and the Coen brothers).

The Maya Calendar, previously little known outside the realm of academic research, rose to worldwide prominence in 2012, since the cycle of the Calendar ended on 21st December of that year and the myth arose that the world would end when that cycle of the Calendar ended. This misinterpretation of the Calendar arose out of a lack of understanding of Maya culture, an understanding which can be obtained, at least in part, through a careful analysis of the Calendar itself.

Join us to explore the issues of race relations and racism in the USA since the Civil Rights movement of the 1960s.

Shakespeare presents us with two visions of marriage, the Macbeths’ longstanding but filled with passion and rivalry, Othello’s fragile and still largely innocent. Macbeth and his wife know each other only too well – Othello and Desdemona barely at all. We the audience become sucked into these marital dramas through the force of Shakespeare’s dazzling imagery, psychological insight and sensational plotting. We’ll be studying the characters, the poetry and the ideas of both plays in detail.

Come and explore the journey of the Argonauts and discover Jason.

This course looks at the responses of Western European governments to recent protests and asks what the increasing criminalisation of protests means for the state of democracy in these countries.

Mythical beasts, fruity swags, strange shell forms, odd expressions, the bizarre dream and fantasy subject matter – there is more to Renaissance art than meets the eye. Come and discover the strange work of Paolo Uccello, Carlo Crivelli, Piero di Cosimo, Ercole de’Roberti, Dosso Dossi, Cosmè Tura and Francesco del Cossa.

This course focuses on Flemish and Dutch (Netherlandish) art of the late sixteenth and seventeenth centuries. The course will examine well-known artists such as Peter Paul Rubens, Anthony van Dyck, Rembrandt and Vermeer, as well as the role of artworks and visual images in the formation of religious, class, gender and national identities, in early science, and in cultures of collecting.

This course will provide a reflection on contemporary debates around the National Health Service in the UK and relate them to its historical settings.