Explore History, Culture & Writing

We will read and discuss three classic plays: Sophocles’ Antigone, Shakespeare's Measure for Measure and William Wycherley’s The Country Wife. Focusing closely on structure, language and tone, we will consider how dramatists across time have explored themes such as sexual politics, family relationships and state power through their plays, as well as considering the social, cultural and historical contexts in which they were produced.

The Turks entered European consciousness in 1071 when they captured the Byzantine emperor at the Battle of Manzikert. So began centuries of uneasy co-existence between Christians and Muslims on the fringes of Europe.

Join us to explore the issues of race relations and racism in the USA since the Civil Rights movement of the 1960s.

This course will explore the concerns, styles and influences of three dramatic texts from the 20th and 21st centuries and how they reflect the social, political and cultural conditions in which they were written. It focuses primarily on Harley Granville Barker’s Waste, Tom Stoppard’s The Real Thing, and Lucy Prebble’s The Effect, making multiple connections between them as the course progresses.

The 1950s was the beginning of the end for the Hollywood studio era, a golden age in place since the 1920s. The fifties are more difficult to pin down than the 1930/40s due to explosive diversity in both subject matter and cinematic technology, the profound influence of WWII, the development of European neorealism and the first signs of the French New Wave. An emphasis on teen culture emerged, represented by the brief career of James Dean. Film stars became anti-heroes. The moguls who founded Hollywood began to disappear. The studio business model was doomed. Hollywood reacted both defensively and creatively, going for broke—and producing some of the finest and most enduring films in its history, films that transformed the culture, from Sunset Blvd. (1950) to Some Like It Hot (1959)—both by Billy Wilder. From The Asphalt Jungle (1950) to The Misfits (1961)— Marilyn Monroe’s first and final films, both directed by John Huston. From Here To Eternity (1953 Fred Zinnemann) to A Place in the Sun (1951 George Stevens, part of his American trilogy). Fifties’ films reflected a darkening America. (See related courses on Fifties Musicals, Melodrama and Film Noir).

The Canterbury Tales is Chaucer’s most popular work and one of the most famous examples of Medieval literature. This course selects some of Chaucer’s most carefully crafted representations of individuals and explores the society they come from. We will enjoy intricate plots, comedy and poignant moments with these loveable and unforgettable characters! Students will be carefully guided through the texts to a fuller appreciation of Middle English verse narrative and Chaucer’s witty and energetic composition.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Oscar Wilde was the most controversial writer of late Victorian Britain. He was famed for his wit, extravagant lifestyle, and sexual adventures. His plays and his sensational novel The Picture of Dorian Gray were celebrated and admired. But his scandalous trial and conviction “for gross indecency with men” ruined him, and he ended his life in Paris, destitute and alone. His dramatic trial marked a turning point in British attitudes to sex and culture.