Explore History, Culture & Writing

Join this course and discover the work of John Locke, the founder of British Empiricism; George Berkeley and his famous view on perception; and David Hume’s fork of ‘relations of ideas' and 'matters of fact'.

This course aims to explore the multifaceted relationship between Africa and the Classical



world, highlighting Africa's significant contributions to the Classical world.

Got a great idea for a novel? Jump start your project in this supportive course that covers craft basics such as character and plot. Ideal for writers of fiction with some experience who have an idea for a novel.

This unique and wide-ranging course provides a broad introduction to the three major languages of the Ancient Near East, which together traverse a vast history of four millennia. In them were written some of the great landmarks of world literature, such as the Babylonian epic of Gilgamesh, the Egyptian Book of the Dead and the Sumerian Descent of Inanna.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Come on a discovery of Patristics, where you'll read, analyse and discuss the texts written by the Church Fathers.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

“The more beautiful everything is, the more it will hurt without you”—Gene Kelly as An American in Paris (1951) singing to Leslie Caron. Happy endings are hard won in fifties’ musicals and The End is where they were heading. MGM was the studio of musicals in the 1950s. During this decade other studios presented only occasional musicals. The musical was big business for Hollywood in the 1950s and so was the western, so bringing them together made sense. Annie Get Your Gun had been a big success for MGM so Warner Bros. decided to get a piece of the action with Calamity Jane (1953 David Butler with Doris Day). Judy Garland was sacked by MGM in 1951, then followed Joan Crawford to Warner Brothers where she staged a big comeback in, fittingly, A Star is Born (1954 George Cukor). Oklahoma (1955 Fred Zinnemann) and Carousel (1956 Henry King) from 20th Century Fox introduced Shirley Jones. And don’t forget Leonard Bernstein’s score for On the Waterfront (1954) that anticipated West Side Story (1961). (See related courses on Fifties Melodrama and Film Noir and 50 Films From the ‘50s: Hollywood’s Last Stand).

We explore Michel Foucault's public lectures at the Collège de France, introducing key concepts such as genealogy, governmentality, and biopolitics. Through Foucault's lens, we critically navigate debates on truth, social engineering, and politics in turbulent times.

Is it possible to be true to oneself? And, is this a worthwhile pursuit or a delusion of modernity? This course will explore these questions with the help of five modern philosophers.