New courses

What’s the unique appeal of historical fiction? Why do we read it, and what are we looking for? This course investigates historical fiction written in the twenty-first century and how it reimagines the past for us as contemporary readers. Reading novels and short stories set in the seventeenth, eighteenth and nineteenth centuries, we’ll explore historical fiction’s strategies, challenges and pleasures: how it can bring unknown stories into view and rewrite what we think we know. Includes Francis Spufford's Golden Hill (2016), Emma Donoghue's The Woman who Gave Birth to Rabbits (2002) and Maggie O'Farrell's Hamnet (2020).

We look at four poets who struggled to be heard or accepted because their work was so different from what their society expected. What were the barriers they had to overcome and how did they win through to become admired and highly regarded? What made one of the poets stop writing at the age of 21 and the other three continue for the rest of their lives? What makes the poetry of all of them so original, and what can we learn from their resilience?

Knock on the door of artists’ houses and studios from 1900-1960 to experience exciting and visually dazzling spaces created over the course of their careers. At a time when artists were beginning to forge their own brave new visual worlds, this course considers what the homes might tell us about the artists and how they wanted their homes to be seen. This is the second part of a series on Homes and Houses; it can also be taken without having done the previous course.

The 2016 referendum result was one of the most significant events in recent British history. How can novels, written in that moment, shed light on the run-up to the vote and its immediate aftermath?



On this course we’ll study three fascinating and powerful novels, by Ali Smith, Anthony Cartwright and Adam Thorpe, exploring their stories and the backdrop they present of Britain’s divisions and connections.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Discover the types of women who don't conform to social rules, who wield a supernatural power that destablises the status quo. From the threatening type to the empowered woman, join us for an exploration of the femme fatale in early modern and modern European art.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Learn how to use this technique derived from Gestalt therapy to help your clients explore inner conflicts and let go of haunting issues from the past. Experience the power of this two chair technique by trying it out for yourself.

Take a fresh look at Shakespeare, exploring selected plays in the company of an experienced theatre director. With performance in mind, we will examine the language of The Two Gentlemen of Verona and Twelfth Night,



and discuss how Shakespeare’s use of verse evolves over the course of his career.

Through the words of six female poets from different countries spanning a hundred years, we will explore what it meant to be a woman in the 20th Century. The poems we will read cover a diverse range of topics such as desire and sexuality, loneliness and race, gender and feminism. Includes poems by Charlotte Mew, Anna Akhmatova, Maria Pawlikowska-Jasnorzewska, Forugh Farrokhzad, Gwendolyn Brooks and Carol Ann Duffy.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

The beautiful city of Venice has attracted writers as diverse as Marcel Proust and Thomas Mann, Ezra Pound and Jeanette Winterson. These writers eulogised Venice as a city of art and culture, praising its gorgeous Gothic palaces and shimmering waters. In this course we look behind the myth, exploring the fascinating and surprising stories behind these Venetian visions.

This playful and creative mask course, suitable for students at any level, introduces you to the mask. You will be carefully guided to explore the principals and techniques required to bring a character to life, to create speech with the body and without the voice. Masks will be provided but why not bring along some different style outfits and a variety of hats with you, then you’ll have more to play with on the day.

An introduction to popular tools for effective project management.

This course explores the Medieval Mystery plays, also known as the York Corpus Christi plays, focusing on the oldest of the four great cycles of biblical drama that have survived from late Medieval England. We will consider theatrical conventions, costumes and props, the performances and open-air staging of the plays and the medieval guilds and writers that were responsible for them.



This course will be delivered online. See the ‘What is the course about?’ section in course details for more information.

Shakespeare presents us with two visions of marriage, the Macbeths’ longstanding but filled with passion and rivalry, Othello’s fragile and still largely innocent. Macbeth and his wife know each other only too well – Othello and Desdemona barely at all. We the audience become sucked into these marital dramas through the force of Shakespeare’s dazzling imagery, psychological insight and sensational plotting. We’ll be studying the characters, the poetry and the ideas of both plays in detail.

Mythical beasts, fruity swags, strange shell forms, odd expressions, the bizarre dream and fantasy subject matter – there is more to Renaissance art than meets the eye. Come and discover the strange work of Paolo Uccello, Carlo Crivelli, Piero di Cosimo, Ercole de’Roberti, Dosso Dossi, Cosmè Tura and Francesco del Cossa.