Summer courses in humanities

In order to reach heaven a medieval Christian had to spend time in purgatory being cleansed of sin. Come and find out what purgatory consisted of and how you could fast-track you way through it.

Journey through the evolution of the fascinating idea of conscience over the past 2,000 years. Explore ancient and modern understandings of this universal phenomenon, drawing on insights from psychology, sociology, philosophy, theology and neuroscience.

Do we perceive time or the passage of events? Einstein famously considered time – or the distinction between past, present, and future – as an illusion. We examine subjective time or how we experience time, discussing the roles of memory, emotion, and narrative.

Explore Georgian and Regency Hampstead walking in the footsteps of John Constable and seeing places he painted and quotes about his thoughts and feelings on Hampstead and his art.

Discover the ways in which homoeroticism found its way onto Ancient Greek vases and how its depiction flourished in the ancient world.

Art has long been inspired by themes, ideas and concepts of spirituality and magic. With the dawn of industry and technology in the modern age, what motivated artists to continue their pursuit of spiritual worlds? Why have these ideas remained so compelling to contemporary artists? On this engaging evening of art, magic and myth, explore work by selected artists from the early 1900s to the present day.

An introduction to the art of Ithell Colquhoun from her academic days at the Slade to her mystical landscapes in Cornwall. We explore her subject matter, artistic process and her surrealist tendencies.

This one day course will consider Celine Sciamma’s importance as a filmmaker by exploring in some detail a number of her key films from her debut Water Lillies (2007), to films such as Tomboy (2011), her breakthrough Girlhood (2014), and her more recent popular successes Portrait of a Lady on Fire (2019) and Petite Maman (2021).







Dr Karine Chevalier is a lecturer in Film studies. She is also a filmmaker. Her main research interests lie in the field of Transnational Cinema, French and Francophone Cinema, Visual Arts and Aesthetics, Postcolonial Studies, Intermediality, as well as Screenwriting and Filmmaking, with a specific focus on Violence and Resilience, Creative Voices, Digital Storytelling and Multiscreens, Alterities and Minorities, Moving (auto)Portraits and Masks.

Edith Wharton and Henry James had a keen eye for a well-designed and tastefully decorated house and both brought us depictions of splendid interiors in their novels set in ‘the Gilded Age’. We’ll discuss the changing tastes at the turn of the century, and how both authors used interior decoration to reflect the moral turn of their characters and the age.

Discover the development of the British Landscape tradition from the 18th and 19th centuries. The Victoria and Albert Museum has the largest collection of John Constable sketches in the world, and we will discuss the works on display in detail and compare with works by J.W.M Turner and other artists on display.

What happens when word becomes image? From Chinese calligraphy to the prints of Francisco Goya, the graffitied phrases of Jean-Michel Basquiat and truisms of Jenny Holzer, this short course explores how to read text as image. We'll explore how we might read differently in the context of an artwork and how to approach artworks that rely on text as part of their visual composition.